Chronology; Introduction Gerard Carruthers and Liam McIlvanney; 1. Scottish literature before Scottish literature Thomas Clancy; 2. The Medieval period Alessandra Petrina; 3. Reformation and Renaissance Sarah Dunnigan; 4. The aftermath of Union Leith Davis; 5. Robert Burns Nigel Leask; 6. Enlightenment, Romanticism and the Scottish Canon: cosmopolites or narrow nationalists? Murray Pittock; 7. Scott and the historical novel Ian Duncan; 8. The Gaelic tradition Peter Mackay; 9. Scottish Gothic David Punter; 10. Victorian Scottish literature Andrew Nash; 11. Robert Louis Stevenson Penny Fielding; 12. Hugh MacDiarmid and the Scottish Renaissance Scott Lyall; 13. Popular fiction: detective novels and thrillers from Holmes to Rebus David Goldie; 14. Muriel Spark Robert Hosmer; 15. The Glasgow novel Liam McIlvanney; 16. 'What is the language using us for?': Modern Scottish poetry Fiona Stafford; 17. The emergence of Scottish studies Matthew Wickman; 18. Otherworlds: devolution and the Scottish novel Cairns Craig; 19. Scottish literature in diaspora Gerard Carruthers; Index.
Gerard Carruthers is Professor of Scottish Literature Since 1700 at the University of Glasgow. Liam McIlvanney is Stuart Professor of Scottish Studies at the University of Otago, New Zealand.
'The study of Scottish literature, once seen as a marginalised or minor endeavour, has come of age, given the high calibre of the essays collected here.' Scotland on Sunday 'A valuable overview.' Sunday Herald 'The essays contained in this volume provide a broad overview of Scottish literary writing from the earliest times to the present day. It represents an invaluable resource for anyone beginning their exploration of a particular period, author, or genre; but with contributions from many of the leading scholars in their respective fields, it will also reward the more knowledgeable reader with fresh insights and new perspectives.' ASLS '... a fascinating account of Scottish literature from the sixth century onwards. ... The Companion to Scottish Literature should be on the required reading list of anyone interested in the development and current state of Scottish literature and, by extension, the Scottish critical tradition.' Rhona Brown, Scottish Studies Newsletter