About the Author

Stephen King is the author of more than sixty books, all of them worldwide bestsellers. His recent work includes The Institute, Elevation, The Outsider, Sleeping Beauties (cowritten with his son Owen King), and the Bill Hodges trilogy: End of Watch, Finders Keepers, and Mr. Mercedes (an Edgar Award winner for Best Novel and an AT&T Audience Network original television series). His novel 11/22/63 was named a top ten book of 2011 by The New York Times Book Review and won the Los Angeles Times Book Prize for Mystery/Thriller. His epic works The Dark Tower and It are the basis for major motion pictures, with It now the highest grossing horror film of all time. He is the recipient of the 2018 PEN America Literary Service Award, the 2014 National Medal of Arts, and the 2003 National Book Foundation Medal for Distinguished Contribution to American Letters. He lives in Bangor, Maine, with his wife, novelist Tabitha King.

Reviews

"Entertainment Weekly" Plenty of thrills...[King's] an elegant writer and a master of pacing.

"New York Daily News" A fast, scary read...King blasts a homer...[He] expertly stirs the major ingredients of the American psyche -- our spirituality, fierce love of children, passion for baseball, and collective fear of the bad thing we know lurks on the periphery of life.

"People" An absorbing tale..."Tom Gordon" scores big.

"San Francisco Examiner" A gem....Superb.

"St. Louis Post-Dispatch" King paints a masterful, terrifying picture of every child's (and maybe adult's) worst fear...King uses that creepy-crawly paranoia to perfection.

"The New York Times" Frightening....Feverish terror.

"The Wall Street Journal" Impressive...A wonderful story of courage, faith, and hope. It is eminently engaging and difficult to put down.

"USA Today" A delightful read, a literary walk in the woods, and not just for baseball fans.

Chilling things pop up in this book by King, who revises his harrowing 1999 novel about a nine-year-old lost in the Maine woods. Due to the format's limited space, the exposition is condensed and rushed: Trisha, the title girl, is on a hike with her recently divorced mom and sullen brother, Pete. While her mother and brother argue, Trisha steps off the trail to relieve herself, and loses her bearings. Beset by bloodthirsty insects (represented on a transparent plastic screen that spins around her face) and menaced by a nameless "special thing that comes for lost kids," Trisha struggles to stay sane and alive. She takes comfort in hallucinations of her hero, Red Sox closing pitcher Tom Gordon, who offers fatherly advice. Like the original, this version follows a baseball structure, from a calm "first inning" to an alarming "top of the ninth" where Trisha faces the supernatural "God of the Lost," a bearlike monster with spiny teeth. King mentions (but the illustrations do not show) things like "the severed head of a deer, terrified eyes wide open" from the original; Dingman creates seven spreads, heavy on the nauseous green and shadowy brown, as Trisha grows increasingly haggard and startling things emerge from trapdoor pages (e.g., a hideous wolfish head or clawed paw appears, then swoops behind a bush). Where the novel built malicious suspense, this production demands that readers lift flaps and peek through transparent windows to heighten the horror. Daring and, ideally, mature King fans will appreciate this scary, perversely funny combo of horror and children's pop-up. Ages 8-up. (Oct.) Copyright 2004 Reed Business Information.

While hiking a six-mile stretch of the Appalachian Trail with her mother and brother, nine-year-old Trisha McFarland steps off the path to relieve herself and then attempts a shortcut to catch up. With this unfortunate decision, she becomes lost and alone in the Maine woods for over a week, with limited food and water and what becomes her prize possession, a personal stereo. Trisha uses the radio to follow the play of her beloved Tom Gordon, relief pitcher for the Boston Red Sox--a calming link to the civilized world and one she uses to gather courage and strength for her ordeal. In a near-perfect characterization on King's part, we experience Trisha's fears, hopes, pains, hallucinations, and triumphs through her internal monolog, which is animated in this program by the voice of actress Anne Heche. She flawlessly conveys Trisha's youth and the spectrum of her emotional states. Recommended without reservation.--Kristen L. Smith, Loras Coll. Lib., Dubuque, IA Copyright 1999 Cahners Business Information.

"Entertainment Weekly" Plenty of thrills...[King's] an elegant writer and a master of pacing.
"New York Daily News" A fast, scary read...King blasts a homer...[He] expertly stirs the major ingredients of the American psyche -- our spirituality, fierce love of children, passion for baseball, and collective fear of the bad thing we know lurks on the periphery of life.
"People" An absorbing tale..."Tom Gordon" scores big.
"San Francisco Examiner" A gem....Superb.
"St. Louis Post-Dispatch" King paints a masterful, terrifying picture of every child's (and maybe adult's) worst fear...King uses that creepy-crawly paranoia to perfection.
"The New York Times" Frightening....Feverish terror.
"The Wall Street Journal" Impressive...A wonderful story of courage, faith, and hope. It is eminently engaging and difficult to put down.
"USA Today" A delightful read, a literary walk in the woods, and not just for baseball fans.