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Nightmare at 20,000 Feet [Audio]
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About the Author

Richard Matheson (1926-2013) was born in New Jersey and started living and working in California in 1951. In addition to novels in the mystery, science fiction, horror, fantasy, and western fields, he wrote many film and television scripts, including Nightmare at 20,000 Feet from The Twilight Zone. He also wrote episodes of Have Gun, Will Travel, Night Gallery, and Star Trek. Several of his novels and stories have been made into movies, including The Shrinking Man, I Am Legend, and What Dreams May Come (starring Robin Williams). Over the course of his career he won the World Fantasy Lifetime Achievement Award, the Bram Stoker Award for Life Achievement, the Hugo Award, the Edgar Allan Poe Award, the Golden Spur Award, and the Writer's Guild Award. Coming soon... Stephen King has written more than fifty books, many hitting the #1 spot on the New York Times bestsellers list. He has won the World Fantasy Award, several Bram Stoker Awards, and the O. Henry Award for his story The Man in the Black Suit. He is the 2003 recipient of the National Book Foundation Medal for Distinguished Contribution to American Letters, and in 2007 he received the Grand Master Award from the Mystery Writers of America. Paul Michael Garcia, an AudioFile Earphones Award winner and former company member of the Oregon Shakespeare Festival, received his classical training in theater from Southern Oregon University, where he worked as an actor, director, and designer. Malcolm Hillgartner is an accomplished actor, writer, and musician. Named an AudioFile Best Voice of 2013 and the recipient of several Earphones Awards, he has narrated over 175 audiobooks. Arte Johnson is an award-winning narrator and an American comic actor who won an Emmy Award for his role in the television series Rowan & Martin's Laugh-In. His audiobook narations have won two AudioFile Earphones Awards, and he placed as a finalist for the Audie Award for best narration in 2003 and 2007. Ray Porter is an AudioFile Earphones Award-winning narrator and fifteen-year veteran of the Oregon Shakespeare Festival. He has appeared in numerous films and television shows, including Almost Famous, ER, and Frasier. Yuri Rasovsky (1944-2012) was the leading writer, producer, and director of audio drama in the United States. Also a distinguished actor, narrator, and critic, his numerous honors include two Peabody Awards, eight Audie Awards, and a Grammy. Lorna Raver, named one of AudioFile magazine's Best Voices of the Year, has received numerous Audie nominations and AudioFile Earphones Awards. An experienced stage actress, she has also guest-starred on many top television series and starred in director Sam Raimi's film Drag Me to Hell. Among her many Blackstone titles are The Age of Innocence, Up from Orchard Street, The Lodger, Selected Readings from the Portable Dorothy Parker, and Diamond Ruby. Christine Williams is a singer and actor based in Ashland, Oregon. Her performance credits include productions at regional theaters and on concert stages across the country and around the world, from the Oregon Shakespeare Festival and the Barbican Centre in London to the Aspen Music Festival and the Grotowski Institute in Poland. Ned Schmidtke has played leading roles on Broadway, on national tours, and at dozens of regional theaters in the United States and Canada. He currently resides in Los Angeles, where he continues to work in theater, film, and television.

Reviews

Although Matheson (I Am Legend; Hell House; etc.) needs no introduction to most horror fans, Stephen King provides one for this collection of classic weird tales in which he appreciatively remembers his mentor's "gut-bucket short stories that were like shots of white lightning." Spanning almost half a century, the influential contents are as much a roadmap to the direction horror fiction has taken since the 1950s as to Matheson's own legacy of spare, scary chillers. In lieu of pedantic priers into the Unknown, he offers sympathetic everymen, like the husband in "First Anniversary," who finds hints of the unearthly suddenly seeping through his comfortably complacent marriage. Matheson strips away horror's traditional gothic clutter to expose ordinary landscapes that perfectly take the imprint of his characters' paranoid fixations: that life's petty annoyances are part of a universal conspiracy to drive a person mad in "Legion of Plotters," and that dangerously malfunctioning household items are channels for a man's self-destructive anger in "Mad House." The agents of horror in these stories are less often the usual supernatural bogies than malignantly endowed everyday objects, like telephones, television sets and home appliances that are all the more frightening for their ubiquity. The well-known title tale about a nervous air traveler is a showcase for the author's trademark less-is-more prose style, which suspensefully delineates a psychological tug-of-war between man and a monster that may be purely imagined. Timeless in their simplicity, these stories are also relentless in their approach to basic fears. (Feb. 9) FYI: A Grand Master of Horror and winner of a Stoker for Lifetime Achievement, Matheson has also won Edgar and Hugo awards. Copyright 2001 Cahners Business Information.

"The well-known title tale about a nervous air traveler is a showcase for the author's trademark less-is-more prose style, which suspensefully delineates a psychological tug-of-war between man and a monster that may be purely imagined. Timeless in their simplicity, [Matheson's] stories are also relentless in their approach to basic fears."

-- "Publishers Weekly"

His stories...still have the power to shock or to satisfy with their graceful inevitability. Matheson is not primarily a monster writer: rather, he examines how we create monsters from our own fears and frailties...Nightmare at 20,000 Feet is a must-have collection for...readers who like their horror spare, precise, and chilling.

-- "Amazon.com, editorial review"

There are plenty of good frights to be had herein.

-- "Booklist"

"Matheson has a diabolically clever way of turning everyday common and seemingly harmless people and things into objects of terror...All of the readers are scarily excellent, seriously menacing and top-notch fright-meisters."

-- "SoundCommentary.com"

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