An extraordinary history of how the human imagination experienced the Industrial Revolution.
Humphrey Jennings was educated in Cambridge at school and at Pembroke College, where he read English. He joined the GPO Film Unit in 1934. In 1936 he, Tom Harrisson and Charles Madge founded Mass Observation, and in the same year he exhibited at the International Surrealist Exhibition. He is best known for the documentary films he made during the war. He died in 1950.
Pandæmonium was the biggest single inspiration for the Olympics
Opening Ceremony ... the book is the equivalent of Pepys giving you
a guided tour of the birth of electricity and the mechanical age -
it's brilliant, exciting and essential.
*Danny Boyle*
Stimulating to mind and imagination ... a monument to one of the
unique artists of our time, a visionary poet ... you will be
illuminated and enriched.
*Spectator*
A continuous narrative on the Industrial Revolution, woven from
contemporary observations and opinions ... a treasure-chest of
quirky, unusual pieces
*Observer*
A masterpiece of collage that reads like a novel
*The Times*
What [Jennings] reflects so intelligently here is not merely
England (and, by implication, Europe) getting uglier and viler by
the decade, but also the spiritual inexorability of this
process.
*AN Wilson, Daily Telegraph*
Pandaemonium is a fascinating and disturbing anthology ... the
extracts are brilliantly chosen ... a very fine book
*Matthew Reisz, Times Educational Supplement*
In short, this is nothing less than a one-volume history of modern
Britain. It is extraordinary how Jennings managed to turn a
concatenation of accounts ... into something that has such
power.
*Nick Lezard, Guardian*
With its fabulous montage of sources, this is a unique window into
a national past, and a global present.
*Boyd Tonkin, Independent*
Jennings was an inspired maker of documentary films ... his book
startles and delights
*Times*
Pandaemonium is an extraordinary and wonderful book
*Sunday Times*
gnomic, stimulating to mind and imagination
*Linsday Anderson*
you will be illuminated and enriched
*Linsday Anderson*
Jennings ... was pursuing a vision, an intuition which could never
have been more complete than it is here
*Linsday Anderson*
a monument to one of the unique artists of our time, a visionary
poet
*Linsday Anderson*
fluid and imaginative
*Alan Ryan, Sunday Times*
a composite picture of how contemporaries experienced the triumph
of the machine, how it transformed both their outward circumstances
and inner lives
*John Gross, New York Times*
'Pandaemonium' is far from routine
*John Gross, New York Times*
The first thing that strikes you is the high quality and enormous
variety of the 'images' that he assembled. Much of his material
comes from little-known sources, while familiar names tend to be
represented by unfamiliar excerpts. But there is no straining after
novelty for novelty's sake. Almost all the extracts have powerful
points to make, and most of them are examples, at the very least,
of good, vigorous English prose. Some of them are superb.
*John Gross, New York Times*
a book that sets ideas in motion
*John Gross, New York Times*
[The] choice of texts ... conveys the heroic promise of
industrialism as well as the devastation, the humanistic spirit of
science as well the dehumanizing dangers.
*John Gross, New York Times*
an epic scenario
*Tom Nairn, Guardian*
the selected passages are delightful and arresting
*E.P. Thompson, New Society*
a book which is at once a treasure-chest of quirky, unusual pieces
and a memorable account of the most devastating and exciting
sea-change which has yet engulfed mankind.
*John Naughton, Observer*
What is remarkable ... is that the collection is so fresh and
invigorating.
*Roy Porter, Times Literary Supplement*
[The] magnum opus of one of the most remarkable English talents of
[the 20th] century.
*Bookseller*
an extraordinary narrative picture of the development of our
industrial society
*Tom Rosenthal*
[Pandaemonium] is above all a collection of voices ... in a
glorious cacophony .... [T]aken together they tell us more about a
period of intense upheaval than many an orthodox anthology.
*Evelyn Toynton, New York Times*
the strength of the book is the wide variety of texts used and the
two excellent indexes. A good reference book and a useful source
book for students of the machine age.
*Susan Jeffreys, Punch*
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