Tom Jones is an assistant professor of photography at the University of Wisconsin-Madison. His work may be found in the National Museum of the American Indian and the Chazen Museum of Art. Michael Schmudlach serves on the Wisconsin Historical Society's Board of Curators and has a lifelong relationship with the Ho-Chunk. Matthew Daniel Mason is an archivist at the Beinecke Rare Book and Manuscript Library at Yale University. Amy Lonetree an associate professor of American studies at the University of California, Santa Cruz and coeditor of The National Museum of the American Indian: Critical Conversations. George A. Greendeer has been the Ho-Chunk Nation's tribal genealogist since 2000. Tom Jones, Amy Lonetree, and George A. Greendeer are enrolled members of the Ho-Chunk Nation.
2012 Winner of the Award of Merit from the American Association for
State and Local History
2012 Bronze in the Multicultural Non-Fiction Category from
Independent Publisher Book Awards
2012 Winner in the Best Overall Design Category from Next
Generation Indie Book Awards
2012 Winner in the Multicultural Non-Fiction Category from Next
Generation Indie Book Awards
2011 Winner in the Midwest Regional Interest-Illustration Category
from Midwest Independent Publishers Association
2011 Winner in the Total Book Design Category from Midwest
Independent Publishers Association
2011 Winner in the Photography: People Category from USA National
Best Book Awards
"This amazing collection of photographs documents a remarkable
American Indian tribe, the storied Ho-Chunk people. It etches into
our mind's eye haunting images of a hard-pressed Nation emerging
from small pox, dispossession, and removal. This stirring visual
legacy allows us to gaze into the eyes of a proud and handsome
people who overcame these tragic hardships and successfully return
to their beloved homeland. We are all enriched by this remarkable
feat! It bespeaks the strength, beauty, and unconquerable spirit of
our diverse American peoples, now joined together on the same
land." (Walter Echo-Hawk (Pawnee), author of In the Courts of the
Conqueror: The 10 Worst Indian Law Cases Ever Decided)
"People of the Big Voice should be in the hands of everyone who
cares about the history of Indian people. Non-Indian photographer
Charles Van Schaick did not intrude into the lives of his subjects,
nor did he force his expectations and assumptions upon them.
Instead, the Ho-Chunk people chose to have Van Schaick record their
images. The photographs in this book thus offer a distinctive
opportunity to encounter Indian people on their own terms."
(Patricia Nelson Limerick, author of The Legacy of Conquest: The
Unbroken Past of the American West)
"People of the Big Voice is a treasure trove connecting the past
with the present--restoring Ho-Chunk memories and relatives back to
life. This historical time-out touches the past, celebrates the
present, and preserves family stories. These stunning photos and
pointed narratives re-stimulate memories that money cannot buy."
(Norbert Hill (Oneida), author of Words of Power: Voices from
Indian America)"As a Ho-Chunk enrolled in the Winnebago Tribe of
Nebraska and a scholar, I feel very happy that our ancestors are
honored and remembered in such beautiful photographs. A deeply
touching and academically significant book, People of the Big Voice
is a must-read for all!" (Renya Ramirez (Ho-Chunk/Winnebago),
associate professor of American studies, UC Santa Cruz)"People of
the Big Voice marks the emergence of critical scholarship on
Ho-Chunk history and self-representation by Ho-Chunk scholars, with
essays that combine analytical insights and personal reflections on
Van Shaick's photographs. A vital contribution to the understanding
of Ho-Chunk history, People of the Big Voice is a moving tribute to
the individuals depicted in Van Schaick's photographs, and a
testament to the strength and survival of the Ho-Chunk Nation."
(Grant Arndt, assistant professor of anthropology and American
Indian studies, Iowa State University)"This well designed and well
written book opens a doorway into another time, place and culture,
but it's the hundreds of faces that look out at us from its pages
that speak to us with a big voice." (Reggie McLeod, Big River
Magazine)"This volume presents 330 duotone photographs taken over
six decades. . . . Although taken in a studio with backdrops and
props, the photographs are rich with cultural information,
particularly as they depict clothing and material culture of the
period. While Van Schaick was a commercial photographer, and the
Ho-Chunk paying customers, the images are captivating, respectful,
and dignified. (Library Journal)
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