Chapter 1: Audio Basics
Chapter 2: How Digital Audio Works
Chapter 3: Audio on a Wire
Chapter 4: Planning and Pre-Pro
Chapter 5: Budgeting, Scheduling, and Pre-production
Chapter 6: Production Sound
Chapter 7: Production Mic Technique
Chapter 8: Production Recording
Chapter 9: Recording, Voice-overs, ADR, and Effects (available as an online supplement)
Chapter 10: Postproduction
Chapter 11: Postproduction Hardware
Chapter 12: Levels and Digitizing
Chapter 13: Editing Voices
Chapter 14: Working with Music
Chapter 15: Sound Effects
Chapter 16: Processing
Chapter 17: The Mix
Chapter 18: "Help! It Doesn’t Sound Right!"
Appendix A: Glossary
Appendix B: Resources
Jay Rose, CAS is a nationally respected sound designer. His Clio- and Emmy- winning career has included program openers for NBC, theatrical film for MGM, festival-winning documentaries, and more than a thousand corporate, broadcast, and commercial projects. He’s also been a columnist for DV Magazine and ProVideoCoalition.com, and a consultant for major pro audio manufacturers.
"This is the definitive book. It should be mandatory reading for
anyone who is seriously considering a career making movies."- Jeff
Wexler, CAS (Mixer for Mission Impossible III, Fight Club,
Independence Day, The Last Samurai, Jerry Maguire)"Jay Rose is one
of the leaders in spreading the gospel of using sound creatively.
He presents cutting-edge ideas about the collaboration of sound and
image, and also covers the basics… all in an easy to read, easy to
understand style."- Randy Thom, CAS (Director of Sound Design at
Skywalker Sound; Oscar winner for The Right Stuff and The
Incredibles)
"This is the definitive book. It should be mandatory reading for
anyone who is seriously considering a career making movies."- Jeff
Wexler, CAS (Mixer for Mission Impossible III, Fight Club,
Independence Day, The Last Samurai, Jerry Maguire)"Jay Rose is one
of the leaders in spreading the gospel of using sound creatively.
He presents cutting-edge ideas about the collaboration of sound and
image, and also covers the basics… all in an easy to read, easy to
understand style."- Randy Thom, CAS (Director of Sound Design at
Skywalker Sound; Oscar winner for The Right Stuff and The
Incredibles)"Folks, this book is a treasure chest. Don't call
Producing Great Sound for Film and Video by Jay Rose an audio
primer or even a reference source, it's much more… It's like taking
a class taught by a caring, affable, pro. The writer's intimate and
accessible style is what makes this book a great value for anyone
interested in audio. Whether you're just starting in the field of
digital audio/video production, or are a seasoned pro, you'll find
information in this book that will improve your end product."
- John Hartney, Creative Cow.com"A truly great book… I really
enjoyed the read. This book is an ABSOLUTE MUST if you will be
shooting on a budget and doing sound yourself. You'll learn what
mics to use in the field, how to fix an echo, how to deal with line
noise, cheap fixes for potentially expensive problems--and that's
just the beginning…. this book will teach you tips and tricks that
will make your head spin. This book can literally save you
THOUSANDS in post production."
- Biagio Messina, AccessDV"Most folks who write about doing sound
for moving pictures, on film or on video, focus on the sexy
stuff--mostly writing music, sometimes doing foley, often talking
technical. Jay Rose doesn't mess around. He digs right into the
hardcore side of audio for moving pictures -- recording and editing
dialog, sound effects, and music. He debunks common myths, shows
the reader how to make do in limited-budget, time-constrained
situations, and puts it all in context on a technical level.
Producing Great Sound for Film and Video is an invaluable
collection of step-by-step how-to information combined with the
technical reasons things do or don't work. It's essential reading
for anyone serious about making a living doing moving
pictures."
- Dominic Milano, Digital Video Magazine "Crammed full of practical
advice on recording, editing, and mixing audio for your production,
including many of the technical basics."
- Trish Meyer, Cybmotion"Having read through this book I am now
beginning to appreciate the depth of information that Jay Rose has
put into this work. He combines tricky scientific and technical
details with a writing style that makes the book an easy and
interesting read - which makes it more than suitable both as a
'must have' for anyone wanting to make a career in sound and a
'should read' for anyone already involved in production at any
level." - Wendy Laybourn FBKS, Network Nine
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