Natasha Duquette is Associate Dean at Tyndale University College & Seminary in Toronto. She is editor of Sublimer Aspects: Interfaces between Literature, Aesthetics, and Theology (2007) and Jane Austen and the Arts: Elegance, Propriety, and Harmony (2013).
""This beautifully written work explores the tactics dissenting women used to introduce their biblical interpretation, theological ideas, and aesthetic theories into print at a time when women were not recognized as full participants in academic discourse. By embedding their fresh and often provocative ideas in such culturally sanctioned feminine forms as poetry, drama, scriptural paraphrase, devotional literature, and educational manuals for teaching children, women pushed boundaries on many fronts. In their diverse writings, they combined 'politics with spirituality, social consciousness with prayer, and human affection with glimpses of powerful divinity as evoked in scripture.' Duquette's work challenges biblical scholars, theologians, and philosophers to expand their canons to include the forgotten writings of women whose ideas not only influenced women they knew but also crossed borders, channels, and oceans."" --Marion Ann Taylor, Professor of Old Testament, Wycliffe College, The University of Toronto; Editor of The Handbook of Women Biblical Interpreters: A Historical and Biographical Guide ""Meticulous research, nuanced analysis, and fresh insights into the works of these 'doubly marginalized' writers--both women and dissenters--make Veiled Intent a significant contribution to the criticism of the period. In examining the complex relationship of aesthetics, theology, and social activism in the works of these writers, Natasha Duquette provides an important model for literary scholarship, one many others should follow."" --Karen Swallow Prior, Author of Booked: Literature in the Soul of Me and Fierce Convictions: The Extraordinary Life of Hannah More--Poet, Reformer, Abolitionist ""Timely, stimulating, challenging. In the years of antislavery campaigning and consolidation of empire, Duquette argues, British women clothed theology in poetry (natural description, biblical paraphrase, imagery of light and darkness, strength and nurturing). Their work, informed by faith-based social activism, dismantles Burke's dichotomy between masculine Sublime and feminine Beautiful; their imagery marries these categories in aestheticizing moral action. Duquette's closely focused readings are a pleasure; so is Phillis Wheatley's inclusion among her formidably well-read, learnedly opinionated, non-slave peers."" --Isobel Grundy, Research Director, The Orlando Project ""Discussing literature in relation to theology is a delicate enterprise. Those adept in literary criticism are not always well grounded in theology, and vice versa. Over against these pitfalls, Natasha Duquette displays just the right touch. She not only unearths the literary works of underappreciated women writers from the eighteenth and nineteenth centuries but also attends with great sensitivity to the theological convictions woven into them. The result is a model study in literary, theological, and feminist criticism."" --George Hunsinger, McCord Professor of Theology, Princeton Theological Seminary
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