China lives and works in London. He has written four novels for adults. He has twice won the prestigous Arthur C. Clarke Award, with Perdido Street Station and Iron Council, and is also twice winner of the British Fantasy Award, for Perdido Street Station and The Scar. Un Lun Dun is China's first novel for younger readers.
Mieville (King Rat) presents a remarkable bit of world-building. London teenager Zanna (short for Susanna) starts to experience odd occurrences: clouds that resemble her, strangers who call her the "Shwazzy," and graffiti that reads "Zanna For Ever!" Zanna, it turns out, is the Shwazzy (choisi or "chosen one") of the people of UnLondon (the Un Lun Dun of the title), a surreal mirror-image of London ("Abcities have existed at least as long as the cities," a book of prophecy tells her, "Each dreams the other"). Together, Zanna and her friend Deeba wind up in UnLondon, a Gaiman-esque wonderland of ghosts, zombies, walking garbage cans and sentient umbrellas. (Its people have a sense of humor, describing how they disposed of pre-euro currency, and other parallel "abcities" such as "Parisn't" and "No York"). The Smog, a beast borne of London's "smoke from chemicals and poisons" haunts UnLondon, and it seems that Zanna is the one designated to defeat the Smog. But a twist of fate unleashes unforeseen events and the UnLondoners wind up pinning their hopes on Deeba. Mieville employs a few tricks from the experimental novelist's bag (five-words-long chapters, others that end mid-sentence, puns and wordplay galore) but by and large relies on his formidable storytelling skill for this lengthy yet swift-moving tale that, with a wink and a nod, cuts through archetypal notions of fate and prophecy. Highly recommended for Neil Gaiman and Clive Barker fans especially. Ages 12-up. (Mar.) Copyright 2007 Reed Business Information.
Gr 5-9-In present-day London, strange things start happening around Zanna: dogs stop to stare at her, birds circle her head. Then, she and her friend Deeba find themselves in an alternate reality where obsolete objects such as old typewriters eventually "seep" and strange people and creatures dwell, including sentient "unbrellas." The girls learn that Zanna is the chosen one, the "shwazzy," of UnLondon. However, her first fight with the nefarious Smog isn't what was predicted in the book of prophecies. The girls soon end up back in London with Zanna unable to recall their time away. Alone in the memory, Deeba pieces together the Smog's plot and finds a way back to UnLondon via library stacks. Readers soon realize that sometimes the chosen one doesn't get to save a city, and that sometimes steps in a preordained quest don't come out as planned. Mieville's fantastical city is vivid and splendidly crafted. Who would have thought a milk carton could make such an endearing pet? Or that words, or utterlings, could have a life and form of their own? Fans of Neil Gaiman's Coraline (HarperCollins, 2002) or Norton Juster's The Phantom Tollbooth (Knopf, 1961) will love this novel. The story is exceptional and the action moves along at a quick pace. Given that the girls are 12, older readers might be put off, but it is well worth selling to them.-Nancy Kunz, Tuckahoe Public Library, NY Copyright 2007 Reed Business Information.
Though it's being marketed as a YA title, Mieville's (The Scar) latest will appeal to his adult fans as well as other adult sf readers. It begins with a conventional fantasy framework: a young person is pulled into another world, turns out to be the hero who's been prophesied, and triumphs over great adversity to save the day. However, it's not long before the conventions are set on their collective ear. The hero is struck down, and the friend once relegated to the role of comic sidekick must take the reins. Other prophecies turn out to be wrong as well, and the enemy's reach spans both the fantasy world and the real London that a 12-year-old named Deeba calls home. Mieville displays his usual flair for creating completely original settings and creatures, including a pet milk carton and some terrifying giraffes. His only nod to the YA audience has been to tone down the eroticism evident in his other works. The characters are well realized and the book has a fair amount of sociopolitical subtext, mostly about questioning the status quo and thinking for oneself. Recommended for most adult sf collections. (Illustrations by the author not seen.)-Narl G. Siewart, Hardesty Regional Lib., Tulsa Copyright 2006 Reed Business Information.
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