Sophie Crockett divides her time between Portobello Road, London, and the beech forests of the Montagne Noire of Southern France. She speaks Russian and French (both rather badly) and her experiences in far-flung places inform much of her writing. AFTER THE SNOW is her first novel.
In this powerful first novel, global warming has killed the North Atlantic Current, sending the U.K. and much of the U.S. into a new ice age. Fifteen-year-old Willo-born in the barren, snow-covered mountains of northern Wales-has never known anything but the cold; half-feral, he barely listens when his father tells him stories of the times before the weather changed. Coming home from a day on the mountain, however, he finds his family has been taken away by government men. Then, heading back up the mountain, seeking refuge from the weather, cannibals, and feral dogs, Willo stumbles on two abandoned children. His first instinct is to "go quick away from those kids just standing all frozen and starving with their dark eyes begging me," but his basic humanity eventually intervenes. This brutal and at times terrifying postapocalyptic tale features a well-developed first-person narrator, strong secondary characters, and spare but compelling language. Despite its grim take on humanity's willingness to do evil, it also demonstrates that, even under the most straitened circumstances, people are capable of unexpected kindness and altruism. Ages 12-up. Agent: Greenhouse Literary Agency. (Mar.) (c) Copyright PWxyz, LLC. All rights reserved.
Gr 8 Up-What if, instead of a warmer future, "every thing got proper cold"? What if "the seas stopped working," and those who didn't move to the crowded, smelly cities approved by the government became "stealers" and "stragglers" and lived off the grid? Russia and China are big influences in this new order, and the yuan is the preferred currency. Willo's family are stragglers, living in the frigid mountains of Wales. Willo has a talent for hunting and helps his father turn hides into finely crafted coats, boots, and gloves. Cat and dog make the finest furs, though Willo catches mostly rabbits. When he returns from a hunt to find the cabin deserted, he knows something bad has happened. He packs a sled with supplies and heads off to find his family. His first encounter is with Mary, almost starving, whose father is a pony man, also missing. Willo intends to take Mary only as far as the power lines, where she can be picked up by a snow truck, but events tumble both teens onto a transport into the city. The bones of this story are not new: civilization trying to reform after human-caused catastrophe. Some people try to make a better world, and others ask only what's in it for them. What elevates Snow is the voice Crockett uses to tell the tale. Willo's narration, with misspellings and inventive phrasings, is a voice we have not heard before. Graphic violence occurs in several places, but Crockett's cold, brutal world is not without a few warm rooms where travelers can rest and prepare for the next challenge.-Maggie Knapp, Trinity Valley School, Fort Worth, TX (c) Copyright 2012. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
 |
Ask a Question About this Product More... |
|
