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Dead Astronauts: A Novel
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About the Author

New York Times bestselling writer Jeff VanderMeer has been called "the weird Thoreau" by the New Yorker for his engagement with ecological issues. His most recent novel, the national bestseller Borne, received wide-spread critical acclaim and has been added to the National Endowment for the Arts prestigious Big Reads program. His prior novels include the Southern Reach trilogy (Annihilation, Authority, and Acceptance). Annihilation won the Nebula and Shirley Jackson Awards, has been translated into 35 languages, and was made into a film from Paramount Pictures directed by Alex Garland. His nonfiction has appeared in New York Times, the Los Angeles Times, The Atlantic, Slate, Salon, and the Washington Post. He has coedited several iconic anthologies with his wife, the Hugo Award winning editor. Other titles include Wonderbook, the world's first fully illustrated creative writing guide. VanderMeer served as the 2016-2017 Trias Writer in Residence at Hobart and William Smith Colleges. He has spoken at the Guggenheim, the Library of Congress, and the Arthur C. Clarke Center for the Human Imagination.

Reviews

Praise for Dead Astronauts:

"VanderMeer is a master of literary science fiction, and this may be his best book yet." —Kirkus (starred review)

Praise for Jeff VanderMeer:

“Jeff VanderMeer’s Southern Reach Trilogy was an ever-creeping map of the apocalypse; with Borne he continues his investigation into the malevolent grace of the world, and it’s a thorough marvel.”―Colson Whitehead

“Creepy and fascinating.” ―Stephen King, on The Southern Reach Trilogy

“[Jeff VanderMeer] makes the horrific beautiful.” ―Nisi Shawl, The Seattle Times, on Annihilation

“Unsettling and un-put-down-able―like an old-fashioned adventure story, only weirder, beautifully written and not at all old-fashioned.” ―Karen Joy Fowler, BookPage, on Annihilation

“More than just a horror novel; there’s something Poe-like in this tightening, increasingly paranoid focus. But where Poe kept his most vicious blows relatively oblique, VanderMeer drives them deep―albeit in a corkscrewing way that is not less cruel and exquisite.” ―N.K. Jemisin, The New York Times Book Review, on Authority

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