Reviews

Jones, who also edited The Mammoth Book of Dracula (Carroll & Graf, 1997), has selected what he considers the 24 best horror stories of 1996 from a cast of international authors, mostly British, including Poppy Z. Brite, Ramsey Campbell, Graham Masterson, and Cherry Wilder. Instead of emphasizing shock or gore, most of the tales are written in a quiet Bradburyesque style. In Donald R. Burleson's "Hopscotch," a woman returning to her old neighborhood plays a dangerous game of hopscotch in a dark alley. Jones's introductory overview covers the year's horror scene: novels, anthologies, mainstream and small presses, magazines, reference books, films, television, and conventions. For larger horror and short story collections.

Carroll & Graf's Mammoth Horror series is remarkable not only for presenting an outstanding selection of the best in horror and dark fantasy every year, but for doing so during a decade that has not been kind to the genre. As Jones points out in his introduction to this 10th volume, "the erosion of the mid-list and the cancellation of genre imprints" have resulted in the "all-but-collapse of the commercial field." Despite the decline, this multiple-award-winning anthology includes a wealth of fine offerings from both new and established authors. As usual, the volume includes a catch-all essay about horror in the past year. This time, more than a third of the hefty volume is devoted to two novellasÄyet the space is well used. The first, Peter Straub's brilliant revenge story "Mr. Clubb and Mr. Cuff" (inspired by Herman Melville's "Bartleby the Scrivener"), has won both Bram Stoker and International Horror Guild awards. The second, "The Boss in the Wall," is a posthumous work of old-fashioned horror from Avram Davidson (completed by his former wife Grania Davis). From the Hollywood noir of Dennis Etchison's "Inside the Cackle Factory" to the starkly eerie "The Dead Boy at Your Window" by Bruce Holland Rogers to the elegant "A Victorian Ghost Story" by Kim Newman, these tales evoke the grand tradition of horror while attesting to its lively and innovative future. Indispensable reading for horror lovers, this anthology and its predecessors must also be credited with having a hand in keeping horror itself alive. (Nov.) Copyright 1999 Cahners Business Information.