Table of Contents

Acknowledgments

Introduction: Our Zombies, Ourselves
1    Black Mask, White Zombies
2    Consumer Culture
3    Boy Eats Girl
Conclusion: Homebodies

Further Reading
Works Cited
Index

 

About the Author

IAN OLNEY is an associate professor of English at York College of Pennsylvania in York. He is the author of Euro Horror: Classic European Horror Cinema in Contemporary American Culture.
 

Reviews

"Zombie Cinema is a brisk, informative read that gives us a zesty tour through an amazingly prolific and popular contemporary film cycle. He's clearly done his homework in excavating–or disinterring, as the case may be–zombie movies from disparate cultural and historical contexts."
*author of Digital Visual Effects in Cinema: The Seduction of Reality*

"What the vampire was to the 1980s and 90s, the zombie has become for early twenty-first century audiences, the monster of choice, spreading through a multitude of media texts. Ian Olney organizes the history of the zombie in popular culture from Haitian voodoo practice to the present, providing clear analysis of its evolution and development. Theoretically informed, the writing is engaging and accessible throughout."
*Southern Methodist University, author of The Horror Film: An Introduction*

"Zombie Cinema offers both a pithy overview of zombie cinema and a fresh perspective on the most trenchant themes highlighted in zombie films. Olney manages to deftly weave [a quantity of scholarly as well as cinematic research] into the lithe booklet, all while presenting his own argument. It can be read in a matter of hours, but the observations Olney puts forth are sure to stick with the reader for much longer."
*Journal of American Studies*