Introduction Part I: Definition and Boundaries 1. Editorial: A New Sort of Magazine, Hugo Gernsback 2. Preface to The Scientific Romances of H.G. Wells, H.G. Wells 3. On the Writing of Speculative Fiction, Robert A. Heinlein 4. What Do You Mean: Science? Fiction? Judith Merril 5. Preface to Mirrorshades: The Cyberpunk Anthology, Bruce Sterling 6. Cybernetic Deconstructions: Cyberpunk and Postmodernism, Veronica Hollinger 7. The Many Deaths of Science Fiction: A Polemic, Roger Luckhurst 8. On Defining SF, or Not: Genre Theory, SF, and History, John Rieder Recommended Further Reading Part II: Structure and Form 9. Which Way to Inner Space? J.G. Ballard 10. About 5,750 Words, Samuel R. Delany 11. On the Poetics of the Science Fiction Genre, Darko Suvin 12. The Absent Paradigm: An Introduction to the Semiotics of Science Fiction, Marc Angenot 13. Reading SF as a Mega-Text, Damien Broderick 14. Time Travel and the Mechanics of Narrative, David Wittenberg Recommended Further Reading Part III: Ideology and World View 15. Mutation or Death! John B. Michel 16. The Imagination of Disaster, Susan Sontag 17. The Image of Women in Science Fiction, Joanna Russ 18. Progress versus Utopia; or, Can We Imagine the Future? Fredric Jameson 19. Science Fiction and Critical Theory, Carl Freedman 20. Alien Cryptographies: The View from Queer, Wendy Pearson 21. The Women History Doesn't See: Recovering Mid-Century Women's SF as a Literature of Social Critique, Lisa Yaszek Recommended Further Reading Part IV: The Non-Human 22. Author's Introduction to Frankenstein, Mary Shelley 23. The Android and the Human, Philip K. Dick 24. A Cyborg Manifesto: Science, Technology, and Socialist Feminism in the Late Twentieth Century, Donna Haraway 25. Virtual Bodies and Flickering Signifiers, N. Katherine Hayles 26. The Coming Technological Singularity: How to Survive in a Post-Human Era, Vernor Vinge 27. Aliens in the Fourth Dimension, Gwyneth Jones 28. Technofetishism and the Uncanny Desires of A.S.F.R. (alt.sex.fetish.robots), Allison de Fren 29. Animal Alterity: Science Fiction and Human-Animal Studies, Sherryl Vint Recommended Further Reading Part V: Race and the Legacy of Colonialism 30. Science Fiction and Empire, Istvan Csicsery-Ronay 31. Further Considerations on Afrofuturism, Kodwo Eshun 32. Indigenous Scientific Literacies in Nalo Hopkinson’s Ceremonial Worlds, Grace Dillon 33. Biotic Invasions: Ecological Imperialism in New Wave Science Fiction, Rob Latham 34. Alien/Asian: Imaging the Racialized Future, Stephen Hong Sohn 35. A Report from Planet Midnight, Nalo Hopkinson 36. Future Histories and Cyborg Labor: Reading Borderlands Science Fiction after NAFTA, Lysa Rivera Recommended Further Reading Index
Brings together more than 30 essential works of science fiction criticism for students and teachers of the genre.
Rob Latham is an independent scholar based in the USA. Winner of the Science Fiction Research Association’s Thomas D. Clareson award for distinguished service to the field, he is editor of the journal Science Fiction Studies and of The Oxford Handbook of Science Fiction (2014), co-editor of The Wesleyan Anthology of Science Fiction (2010) and author of Consuming Youth: Vampires, Cyborgs and the Culture of Consumption (2002). For two decades, he was a senior editor of the journal Science Fiction Studies.
Ultimately, by covering many bases without being laborious,
Latham’s Science Fiction Criticism manages to offer a high
use-value for students of science fiction while also appealing to
non-academic fans.
*SFRA Review*
Science Fiction Criticism: An Anthology of Essential Writings is an
excellent collection for use in teaching or as a reference volume,
especially for newer scholars who may not have access to or
knowledge of some of the older pieces collected here. Above all it
emphasizes the diversity of the scholarship (and of original texts)
beyond what too many consider to be ‘just science fiction.’ I
predict it will be among the most useful collections for many
years.
*The Journal of the Fantastic in the Arts*
The editor of this seminal anthology will be familiar to SF
critics. Rob Latham has been at the helm of two extremely important
books, The Oxford Handbook of Science Fiction and The Wesleyan
Anthology of Science Fiction, and for years he has served in an
editorial capacity at Journal of the Fantastic in the Arts and most
notably Science Fiction Studies, earning the Thomas D. Clareson
award in 2013 for outstanding service in the field. It is fitting
for him now to be the editor of Science Fiction Criticism, a crown
jewel in his scholarship to date that should resonate with all
students and academics who are new to SF or involved in the study
and teaching of it.
*Extrapolation*
A comprehensive and scholarly exploration of sf's history as a
genre of socio-political opposition.
*Morning Star*
A very welcome addition to the bookshelves of scholars and students
alike who will find it extraordinarily helpful to have such a range
of critical interventions in one volume.
*Forum for Modern Language Studies*
This collection is a stunning mixture of the familiar and the new:
a combination of what’s absolutely essential for anyone embarking
on research in the Science Fiction field, and pieces that almost
certainly will become essential in years to come. In fact, I would
wager that Latham’s collection itself will become essential reading
and the go-to textbook for most if not all undergraduate courses in
Science Fiction in the very near future ... For those of us on the
staff side of the academic divide, the collection provides access
to essays that may have been on our ‘to-read’ list for a long time,
articles we have heard about but never unearthed, and introductions
to areas beyond our specific sub-disciplines. This is an impressive
feat of scholarship and critical historiography and an absolute
boon to the field for teachers and students alike – and it’s
affordable to boot (well done, Bloomsbury). I recommend it
unreservedly.
*Fantastika*
A truly excellent and innovative selection of essays that ranges
from classics to essays that should and will become classics.
*Farah Mendlesohn, editor of The Cambridge Companion to Science
Fiction*
Rob Latham’s sagely curated Science Fiction Criticism comes as
close as we can hope for to a manageable archive of indispensable
works of science fiction criticism. The compelling selections are
consistently in conversation with one another, revealing the
dialectical process through which the critical understanding of
science fiction has matured.
*Brooks Landon, author of Science Fiction After 1900: From the
Steam Man to the Stars*
For both beginning and experienced researchers, this volume is a
finely balanced overview of science fiction’s critical
conversations—and should become a fixture on every serious critic’s
bookshelf. For those teaching science fiction, it is
indispensable
*Pawel Frelik, past president of the Science Fiction Research
Association*
In five useful sections, essays by science fiction authors, critics
and theorists followed by well-chosen further reading lists,
provide an invaluable resource for students interested in science
fiction and its wider contexts.
*Katharine Cockin, University of Hull, UK*
As a teaching resource, its usefulness is undeniable.
*Science Fiction Studies*
One of the most valuable things about this anthology is that it
demonstrates, time and again, how wide our universe of discourse
has to be ... and how whatever story we tell about sf can never be
the whole story. It is an invaluable anthology because, at last, we
have a number of classic texts, from Gernsback’s original editorial
to Shelley's introduction, together in one place. It is an
invaluable anthology because it gathers together a range of key
essays, by some of the most important voices in the field. It is a
book, in short, that deserves a place on your shelves.
*Foundation: The International Review of Science Fiction*
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