Introduction: Don't Scare the Children - Stephen Jones. The Wilful Child. Find My Name - Ramsey Campbell. The Singing Bone. Down to a Sunless Sea - Neil Gaiman. Rapunzel. Open Your Windows, Golden Hair - Tanith Lee. The Hare's Bride. Crossing the Line - Garth Nix. Hansel and Gretel. Peckish - Robert Shearman. The Three Little Men in the Wood. Look Inside - Michael Marshall Smith. The Story of a Youth Who Went Forth to Learn What Fear Was. Fraulein Fearnot - Markus Heitz. Cinderella. The Ash-Boy - Christopher Fowler. The Elves #1. The Changeling - Brian Lumley. The Nixie of the Mill-Pond. The Silken Drum - Reggie Oliver. The Robber Bridegroom. By the Weeping Gate - Angela Slatter. Frau Trude. Anything to Me is Sweeter, Than to Cross Shock-Headed Peter - Brian Hodge. The Elves #2. The Artemis Line - Peter Crowther. The Old Woman in the Wood. The Silken People - Joanne Harris. Rumpelstiltskin. Come Unto Me - John Ajvide Lindqvist. The Shroud.
Stephen Jones is the multiple-award-winning editor and author of more than 100 books in the horror and fantasy genres. A former television director/producer and movie publicist and consultant (including the first three Hellraiser movies), he has edited the reprint anthology Best New Horror for more than 20 years. He lives in Wembley, Middlesex, and travels widely. Alan Lee was born in London, where he studied graphic art and design. Over the years he has established himself as one of England's preeminent book artists, creating illustrations for, among other works: The Mabinogion, Castles, Merlin Dreams, Black Ships Before Troy: The Story of the Illiad and the anniversary edition of J.R.R. Tolkien's The Lord of the Rings. He was also the conceptual designer working on the Lord of the Rings films, responsible for creating the 'look' of Middle Earth. He currently lives on Dartmoor.
Fearie Tales has the edge here, mainly because it proved so
refreshing and authentic, reflecting the true intention of the
original storytellers, after decades of sugarcoated Disney
fare.
*The Stylist Book Wars*
The best spooky fiction: Close the curtains, pull up a chair, open
a book - and prepare to be pleasantly scared
*The Metro*
Authentically terrifying . . . The whole is gorgeous, the hardback
from paper to font is a treasure to hold, even before we see Alan
Lee's magnificent drawings
*ScienceFic*
This is one absolutely beautiful collection. A must-have.
*Terror-Tree*
Marvellous: each story is great in its own way and together they
just work remarkably well to bring thrills and nightmares. All of
them are terrifying and mesmerising at the same time. The
illustrations by Alan Lee are incredible. Read it if you dare and
see if you can keep your lights off during the night. 10 stars!
*Fantasy-Faction*
Stephen Jones remains at the top of the tree as one of the world's
premier anthologists
*Crime Time*
A collection of definitely-not-for-kids fairy tales twisted and
retold by an amazing list of authors
*Bibliosanctum*
This is an impressive one: horror yarns inspired by the fairy tales
of the Brothers Grimm. Add in a splendid cover illustration and
superb pieces of interior art by Alan Lee and you have the makings
of a great anthology
*British Fantasy Society*
Moving, shocking, funny, pretty essential
*Concatenation*
I've dipped in and out, read half the book in one go, re-read, and
mulled over. The stories are tense, creepy, twisted, sad, and
horrible in varying proportions
*Andthenireadabook*
Takes the retold fairy tale sub-genre, already claimed and used
exquisitely in fantasy and dark fantasy fiction, deep into horror
territory
*Ellen Datlow, Best Horror of the Year*
Satisfyingly creepy and viscerally horrific
*Times Higher Education, Books Of The Year*
This book provides a double dose of delight to fans of fear-fraught
fiction. Firstly, there is Alan Lee's captivating and delightfully
mordant artwork which adorns the covers, endpapers and interiors,
and then there are the stories themselves, which are compelling,
intriguing, and unsettling in equal measure . . . Added together
with Jo Fletcher Books' impeccable design and production values,
and you have a book that you will treasure for years to come.
*Illustrators*
With Fearie Tales, noted horror anthologist Stephen Jones sets out
to return the form to its roots. Using the original tales collected
in the early 19th Century by the Brothers Grimm as inspiration,
Jones presents a collection of modern-day fairy tales designed to
frighten and unsettle, and written by some of the foremost
practitioners of horror and dark fantasy currently working in their
respective fields . . . This is a must for horror aficionados
everywhere, and doubly so for anyone with a penchant for fairy
tales in particular. The usual high production values from Jo
Fletcher mean this is a book that you'll want to have displayed on
your shelf, and that's just the icing on the cake. Dark, disturbing
but most of all: wonderful.
*Reader Dad*
'For a goosebump-raising story, look no further than the
beautifully illustrated Fearie Tales . . . All the time-honoured
horror themes are here
*Metro*
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