Table of Contents

•  1. Introduction.
•  2. The Single Melodic Line.
•  3. Principles of Two-Voice Counterpoint.
•  4. Two-Voice Exercises, 1:1, 2:1
•  5. Chromaticism (Two Voices).
•  6. Two-Voice Exercises (Concluded).
•  7. Writing of Short Two-Voice Pieces.
•  8. Canon.
•  9. Invertible Counterpoint.
• 10. The Two-Part Invention; Motive Development.
• 11. Three-Voice Counterpoint.
• 12. Writing of Short Pieces, Three Voices.
• 13. Imitation in Three Voices.
• 14. The Three-Part Invention; The Trio Sonata.
• 15. Fugue.
• 16. Fugue (Continued).
• 17. Fugue (Concluded).
• 18. Forms Based on the Chorale.
• 19. Contrapuntal Variation Forms.