Philip Ball is a freelance writer and the author of numerous books, including Universe of Stone: A Biography of Chartres Cathedral and Critical Mass: How One Thing Leads To Another, which won the 2005 Aventis Prize for Science Books.
"Ball is to be applauded for the range and aptness of the musical examples he does choose - from Albinoni to Led Zeppelin, Bach to The Sound of Music - as well as for his attention to musics outside western traditions....the book is impressively engaging for one so dense with detail and argument....fascinating." --The Guardian"Using plentiful examples drawn from a refreshingly wide range of different kinds of music, from Bach to the Beatles, and from nursery rhymes to jazz. If you can read music, you will find yourself humming aloud to see what he means. If you can't....Mr Ball's facility for conveying complex facts in simple language comes to the rescue." --The Economist"One of the finest and most versatile of current nonfiction writers.... I defy anyone to read this book without coming away better informed about why music affects us in such a profound way...His passion for music is evident on every page, and his enthusiasms (whether for gamelan or Glenn Gould) are infectious. Most powerful is his message that music is a part of the chaos and splendour of human life itself." --The Sunday Times"Ball's writing is excellent - vivid and colloquial in the best sense, intelligent and stylish without pretense. His explanations are engaging and clear; he lays out complex materials without the condescending oversimplification that is the curse of popularization...A treasure trove of information, explanation, questioning and thoughtful response that will delight and instruct a wide audience of intelligent, sensitive people who love music, who have perhaps felt intimidated by it, and who want to think about and love it better." --American Scientist"Fact-rich, gracefully written, and deeply insightful: Philip Ball's The Music Instinct is the best compendium on the creation and experience of music so far available. Rare is the writer who can describe the aesthetic pleasures of music in a way that connects it with the best that psychology and brain science can offer to musical understanding. Ball's achievement is altogether remarkable." --Denis Dutton, author of The Art Instinct: Beauty, Pleasure, and Human Evolution"Provides easily the best evaluation of the field to date...An important landmark." --Diana Deutsch, Professor of Psychology, University of California, San Diego, and Founding President, Society for Music Perception and Cognition "By focusing on the intersection of music theory and cognition rather than neuroscience...Philip Ball fills a niche. The Music Instinct does a great job of explaining rhythm, pitch and timbre and how they combine to make compositions that capture our attention and emotions...The Music Instinct offers an expansive and high-level overview of a complex field. Ball is both an enthusiastic writer about music and a passionate listener engaged with its emotional meaning as much as with its intellectual puzzles--an Aristoxenus for his time." --Daniel J. Levitin, Nature"One of his great strengths, besides the breadth and solidity of his knowledge, is his consistent refusal to turn intriguing but incomplete evidence into glib take-home stories. Instead, he is meticulous in his attention to both the details and the limits on what they can tell us at present." --The Independent"Ball weaves fundamental explanations necessary for an amateur's understanding with sophisticated current research, science, and philosophy that broaden the horizons of even the most enlightened connoisseur...Through probing questions and challenges to philosophies, theories and attitudes, Ball's fresh insights promise to deepen the reader's appreciation for all types of music." --American Music Teacher"Offers an expansive overview of music's fundamental properties and values." --Music Educators Journal
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