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Recording Studio Design
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Table of Contents

General requirements and common errors; Sound, decibels and hearing; Sound isolation; Room acoustics and means of control; Designing neutral rooms; Rooms with characteristic acoustics; Variable acoustics; Room combinations and operational considerations; The studio environment; Limitations to design predictions; Loudspeakers in rooms; Flattening the room response; Control rooms; The behaviour of multiple loudspeakers in rooms; Studio monitoring: the principal objectives; The non-environment control room; The live-end, dead-end approach; Response disturbances due to mixing consoles and studio furniture; Objective measurement and subjective evaluations; Studio monitoring systems; Surround sound and control rooms; Human factors; A mobile control room; Appendices; Glossary of terms

Promotional Information

*A comprehensive overview of the principles of recording studio design and their practical application
*Improve the potential of your studio with expert advice on design and monitoring
*Complex issues are explained in accessible language and illustrated with examples from actual studios

About the Author

International consultant on acoustic design and former Chief Engineer of Virgin Records.
PHILIP NEWELL (Author)
International consultant on acoustic design, former technical director of Virgin Records. Has over 30 years experience in the recording industry and has been involved in the design of over 200 studios, including the famous Manor and Townhouse Studios. He is also author of Project Studios, Recording Spaces and Studio Monitoring Design, all published by Focal Press.

Reviews

Review of 'Project Studios', by the same author:

'This book is extremely well written and presents even the most technical material in a clear and accessible fashion.'
Sound on Sound magazine

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