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Eargle's The Microphone Book
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Table of Contents

A Short History of the Microphone; Basic Sound Transmission and Operational Forces on Microphones; The Pressure Microphone; The Pressure Gradient Microphone; First-Order Directional Microphones; High-Directionality Microphones; Microphone Measurements, Standards, and Specifications; Electrical Considerations and Electronic Interface; Overview of Wireless Microphone Technology; Microphone Accessories; Basic Stereophonic Techniques; Stereo Microphones; Classical Stereo; Recording Techniques and Practice; Studio Recording Techniques; Surround Sound Microphone Technology;
Surround Recording Case Studies; A Survey of Microphones in Broadcast and Communications; Fundamentals of Speech and Music Reinforcement; Overview of Microphone Arrays and Adaptive Systems; Care and Maintenance of Microphones; Classic Microphones: The Author's View

Promotional Information

* The most comprehensive guide available, heavily illustrated with helpful diagrams, charts and equations
* A timesaving, one-stop reference covering both microphone technology and practical tips on use and problem solving
* Written by a highly respected industry veteran and Grammy award winner

Promotional Information

* The most comprehensive guide available, heavily illustrated with helpful diagrams, charts and equations * A timesaving, one-stop reference covering both microphone technology and practical tips on use and problem solving * Written by a highly respected industry veteran and Grammy award winner

About the Author

Ray A. Rayburn, Senior Consultant with K2 Audio LLC. Member of the AES Standards Working Group on Microphones, and Chair of the Standards sub-committee on Interconnections. Recording engineer. Lifetime interest in microphone use, testing, and design.
John Eargle holds multiple degrees in music and engineering, and has consulted extensively on electroacoustical product development. He is President of JME Consulting Corporation and author of The Handbook for Recording Engineering, The Loudspeaker Handbook, Electroacoustical Reference Data and others. Among the many artists he has recorded are the London Symphony, the Los Angeles Chamber Orchestra, Joe Williams, Rush Brown and Etta James. In February 2001 he received a Grammy award for Best Classical Engineering. He is a fellow, honorary member and past president of the Audio Engineering Society. He has served on the faculty of the Aspen Audio Recording Institute since 1980. He is a member of the National Academy of Recording Arts and Sciences and the Academy of Motion Picture Arts and Sciences.

Reviews

"...this is a very interesting book which is well written and copiously illustrated with both graphs and pictures throughout. For anyone involved in using, specifying or manufacturing microphones this will prove an invaluable read." - Lighting and Sound International


"Besides being a "must-have” reference source for recording engineers, producers or anybody who desires to better understand and utilize mics, The Microphone Book is an engaging read from its first chapter on microphone history to the 21st chapter and Eargle's unique take on classic microphones and their influence on the art and science of recording...The Microphone Book is unique in its balance of broad and meticulously detailed practical information." - Music Connection magazine

Reviews for the previous edition:
"John has brought his successful experience in classical and other music recording to the book's many pages, and one can find the best microphone arrangements for nearly every conceivable situation and guides to proceed for the more unusual ones." - The American Organist

"John Eargle has prepared another useful book for audio system contractors, engineers, designers and enthusiasts.”
Sound & Communications magazine

"Highly recommended for everyone who wants to know more. Read it.”
Amazon.com customer review

"The Microphone Book will save you time and money, even if you only ever buy one microphone to use in a home studio. If you do live sound, record on location, or are kitting out a slightly more ambitious project studio, then this book will be invaluable. It takes you far further than the 'microphone' sections of general guides to studio recording.”
Amazon.co.uk customer review

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