Allan Keiler is a professor emeritus of music at Brandeis University.
"Keiler gives Marian Anderson the homage she deserves. It is a
quietly amazing story."--Anthony Heilbut, New York Times Book
Review
"An absorbing, occasionally heart-stopping read that insightfully
describes the social, religious, and political forces that formed
the woman behind the myth."--Judith Willoughby, Philadelphia
Inquirer
"Good biographies of vocalists are rare. . . . Keiler has examined
[Anderson's] life in painstaking detail, with keen intelligence and
a scrupulous fairness."--Tim Page, Washington Post
"Keiler gives Marian Anderson the homage she deserves. It is a
quietly amazing story."--Anthony Heilbut, New York Times Book
Review
"An absorbing, occasionally heart-stopping read that insightfully
describes the social, religious, and political forces that formed
the woman behind the myth."--Judith Willoughby, Philadelphia
Inquirer
"Good biographies of vocalists are rare. . . . Keiler has examined
[Anderson's] life in painstaking detail, with keen intelligence and
a scrupulous fairness."--Tim Page, Washington Post
Brandeis music professor Keiler offers an assessment of the great contralto, the first African American soloist at the Metropolitan Opera. Copyright 1999 Cahners Business Information.
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