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Haunted in the New World
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Table of Contents

Contents
Acknowledgments
Introduction: Adjusting to America
1. Outsider in the Old World, Greenhorn in the New: Christopher Newman and David Levinsky
2. Gastronomic Nostalgia: Anzia Yezierska
3. The Claims of Descent: Immigrant Cinema
4. Haunted in the New World: Henry Roth
5. To Make "a Jew": Projecting Antisemitism in Post-War America
6. Memory and Repression: Goldberg Variations
7. The "Jewish Opera": Saul Bellow and Other Jewish Sons
Epilogue: Nostalgia and 1950s Popular Culture
Notes
Bibliography
Index

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Explores the role of emotions in artistic works that shaped Jewish American culture in the first half of the 20th century.

About the Author

Donald Weber is Lucia, Ruth, and Elizabeth MacGregor Professor of English at Mount Holyoke College. His essays on Jewish American literature and popular culture have appeared in many publications, including The Forward, and he is author of Rhetoric and History in Revolutionary New England. He lives in Amherst, Massachusetts.

Reviews

"Haunted in the New World is a superb, insightful, and acutely intelligent piece of work. It makes a real contribution to the understanding of ethnicity in general and Jewish American culture in particular." --Morris Dickstein

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