Table of Contents

• Portfolio, by Yvonne Rainer
• "Why Have There Been No Great Women Artists?", by Linda Nochlin
• Rethinking the Artist in the Woman, the Woman in the Artist, and That Old Chestnut, the Gaze, by Griselda Pollock
• Mediating Generation, by Lisa Tickner
• Responding, by Molly Nesbit
• Portfolio, by Martha Rosler
• Duchess of Nothing, by Ewa Lajer-Burcharth
• Drawing Drawing, by Briony Fer
• The Inside Is the Outside, by Catherine de Zegher
• Responding, by Brigid Doherty
• Portfolio, by Ann Hamilton
• Hairlines, by Tamar Garb
• The She-Fox, by Mignon Nixon
• Difference and Disfiguration, or Trockel as Mime, by Anne M. Wagner
• Responding, by Emily Apter
• Portfolio, by Mary Kelly
• Francesca Woodman, by Carol Armstrong
• Taunting and Haunting, by Abigail Solomon-Godeau
• Sally Mann, by Anne Higonnet
• Responding, by Maria diBattista
• Portfolio, by Ellen Gallagher

About the Author

Carol Armstrong is Doris Stevens Professor of Women's Studies in the Department of Art and Archaeology at Princeton University. She is the author of Scenes in a Library: Reading the Photograph in the Book, 1843-1875 (MIT Press, 1998). Catherine de Zegher was Director of The Drawing Center in New York from 1999 to 2006. She is the editor of Inside the Visible: An Elliptical Traverse of Twentieth Century Art in, of, and from the Feminine (MIT Press, 1996).