Arthur Gelb began as a copy boy at the New York Times in 1944 and went on to play a major role at the paper until his retirement in 1989, serving as a critic, chief cultural correspondent, metropolitan editor, deputy managing editor and managing editor. With his wife, Barbara, he also authored two definitive and acclaimed biographies of the playwright Eugene O'Neill.
Praise for City Room "Essential reading for people who love (and hate) The Times."--Gay Talese "A large window into the inner workings of one of the country's premier institutions...enlightening as it is entertaining."--Los Angeles Times Book Review "Superbly written, with integrity and elegance."--Elie Wiesel "A magnificent memoir of coming of age amidst the vibrancy and kaleidoscopic life of America's greatest city, seen from the perspective of a brilliant career on our greatest newspaper. City Room is a grand read."--Neil Sheehan "A sense of intelligent innocence permeates this affectionate memoir."--Pete Hamill "Rich with personalities."--The New Yorker
"To me, there was nothing as stimulating as a good story," declares Gelb in this enthralling memoir of his 45 years at the New York Times. Gelb, who began as a copyboy in 1944 and retired as managing editor in 1990, has a wealth of terrific stories. An airplane's crash into the Empire State Building in July 1945 marked his professional reporting debut. Vivid recollections of the publication of the Pentagon Papers, the Watergate break-in and the 1970 investigation of New York City police corruption abound, and Gelb's recounting of these events illustrates how reporters investigate and present complex news stories under deadline pressure while striving for accuracy, fairness and good taste. Later, as drama critic and cultural editor, Gelb mingled with glamour and celebrity. A witty raconteur, he tells uproarious anecdotes about Tallulah Bankhead and Marilyn Monroe. Although there are plenty of amazing scoops and delicious gossip, Gelb devotes equally passionate attention to the evolution of the Times as a workplace. His portrait of the city room circa 1944, with 100 all white and virtually all male reporters, is a fascinating historical snapshot and becomes more telling as he describes its changes over the years. By 1972, the department included 425 reporters, but only 40 of them were women. As a paean to his colleagues and the organization where he spent his "happiest days," Gelb naturally emphasizes high points, but he's frank about internal politics, the paper's uncharacteristic timidity in covering the Holocaust and its continuing struggle to diversify its staff. Addressing this year's Jayson Blair affair and the subsequent management changes at the paper, Gelb helps put those issues into a broader context with his balanced and sympathetic overview. (Oct. 13) Forecast: Gelb's authoritative view of the paper of record will attract widespread media attention, and his lively storytelling should have great appeal for general readers. Copyright 2003 Reed Business Information.
Praise for City Room
"Essential reading for people who love (and hate) The Times."--Gay Talese "A large window into the inner workings of one of the country's premier institutions...enlightening as it is entertaining."--Los Angeles Times Book Review "Superbly written, with integrity and elegance."--Elie Wiesel "A magnificent memoir of coming of age amidst the vibrancy and kaleidoscopic life of America's greatest city, seen from the perspective of a brilliant career on our greatest newspaper. City Room is a grand read."--Neil Sheehan "A sense of intelligent innocence permeates this affectionate memoir."--Pete Hamill "Rich with personalities."--The New Yorker
 |
Ask a Question About this Product More... |
|
