1. October 1967: A Corner of a Larger Field 2. The Ground of Earthen Sculpture 3. Toward Heterotopias 4. The Stimulus of Aerial Art 5. The West as Site and Spirit 6. Intransigent Nature on Fifty-seventh Street 7. 1969: Endings and Dispersals 8. Monumental Sculpture in the Wilderness 9. Nurture and Nature 10. 1973: Return to the Park Notes List of Illustrations Chronology of the Sixties Bibliography Acknowledgments Index
A prominent art critic in northern California in the 1980s, Suzaan Boettger (pronounced BET-ger) is now an art historian and active critic based in New York City. A popular speaker, she has lectured at the Solomon R. Guggenheim Museum, the Queens Museum, and the Oakland Museum, and she regularly writes for Art in America.
"The full story of the rapid coalescence and far-reaching influence of earthworks is fascinating, significant, and untold until now. Writing with unfailing clarity and momentum, Boettger sets earthworks firmly within the artistic, social, and political sensibilities of the times. . . . She illuminates crucial facets of our perception of both nature and art then and now."--"Booklist
"The full story of the rapid coalescence and far-reaching influence of earthworks is fascinating, significant, and untold until now. Writing with unfailing clarity and momentum, Boettger sets earthworks firmly within the artistic, social, and political sensibilities of the times. . . . She illuminates crucial facets of our perception of both nature and art then and now."--"Booklist
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