Table of Contents

List of illustrations; Preface and acknowledgements; Introduction; 1. In old Russia 1900–1917; 2. Revolutionary reassortment 1917–1927; 3. Stalin by starlight 1928–1941; 4. Holy War and Cold War 1941–1953; 5. Springtime for Khrushchev 1953–1964; 6. The Brezhnev culture wars 1964–1984; 7. Perestroika and the people's taste 1985; Greetings and farewell; Glossary; Bibliography; Discography; Filmography; Videography; Index.

Reviews

"In his richly detailed survey of Russian popular culture since 1900, Richard Stites uses largely ignored sources--detective stories, science fiction, rock-n-roll lyrics, jokes and circus and vaudeville routines--to reveal a side of Russian life largely unknown in the West. And yet, this is not a trivial book...Its great virtue, however, is to illuminate an important and largely unknown dimension of Russia's social history. Serious, but by no means solemn, Stites's book is accessible to anyone interested in learning more about a country and a people that have obsessed and confused us for almost a century." Washington Post Book World

"With this book, Richard Stites again demonstrates that he is one of the most creative and original historians currently writing in the field of twentieth-century Russian history....Although the book is relatively short, it is a big book--big in ideas and in the extraordinary richness of the material. Stites writes with authority, verve, and humor. His book is required reading for anyone curious about Russia's cultural life in the twentieth century." Victoria E. Bonnell, American Historical Review

"Richard Stites savors the historian's calling as storyteller. Like his earlier works on women's emancipatory movements in Imperial and Soviet Russia and on utopian dreams and practices in the revolutionary years, this account of popular entertainment from the waning years of the tsarist regime to the last years of the Communist order is rich in narrative detail and is engagingly presented....Stites must be praised for achieving this in a book that is both useful and a pleasure to 'consume.'" Mark D. Steinberg, Journal of Modern History