Genesis and Historical Place: Contemporaries, Documents, Commentaries; Analysis: Theme, First Movement, Melancholy, The Middle Movements, Second Movement, Third Movement, Fourth Movement; In Conclusion: Idyll, Melancholy, and Monumental Form, Idyll, Strategies, Brahms's Second Again; Bibliography; Index of Names and Musical Works.
["Late Idyll"] should be required reading, not only for listeners
and students but for conductors as well...In Brinkmann's hands,
[Brahms's Second Symphony] takes its rightful place in intellectual
and social history. -- Leon Botstein "Times Literary
Supplement"
Mr. Brinkmann's monograph is a loving look at Brahms as exemplar of
the melancholic temperament...[His book is] technical, but makes
reasonable leaps from technical observations to aesthetic claims.
That may be the only way to understand music in words: Immerse
oneself in it, learn its jargon and come out the other side hearing
connections previously only guessed at. -- Kenneth LaFave
"Washington Times"
Ý"Late Idyll"¨ should be required reading, not only for listeners
and students but for conductors as well...In Brinkmann's hands,
ÝBrahms's Second Symphony¨ takes its rightful place in intellectual
and social history. -- Leon Botstein "Times Literary
Supplement"
Brinkmann guides the reader carefully through the entire
composition, pausing occasionally to examine a detail here and
there. He attractively combines analytical, hermeneutic,
biographical, and historical material, relating the symphony to
Brahm's other works and to those of his contemporaries and
predecessors (particularly Beethoven), and making frequent
reference to the cultural milieu of late 19th century Europe.
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