Table of Contents

Revolution by night - surrealism, politics and culture, Raymond Spiteri and Don LaCoss; The politics of Surrealism, 1920-36, Robert Short; Towards a new construction: Breton's break with Dada and the formation of surrealism, Theresa Papanikolas; Surrealism and the political physiognomy of the marvellous, Raymond Spiteri; Advertising Surrealist masculinities - Andr Kert sz in Paris, Amy Lyford; Surrealism noir, Jonathan P. Eburne; Surrealist racial politics at the borders of reason - whiteness, primitivism, and negritude, Amanda Stansell; Painting and politics - Miro's Still Life with Old Shoe and the Spanish Republic, Robert S. Lubar; Of Politics, postcards and pornography - Salvador Dali's Le mythe tragique de l'Angelus de Millet, Jordana Mendelson; Surrealism in 1938 - The Exhibition at War, Elena Filipovic; For an Independent Revolutionary Art - Breton, Trotsky and Mexico, Robin Adele Greeley; Aime Cesaire's insurrectionary poetics, E. San Juan, Jr; Hans Bellmer's libidinal politics, Alyce Mahon; Attacks of the fantastic, Don LaCoss; Failure and community - preliminary questions on the political in the culture of Surrealism, M. Stone-Richards. Appendix I: Notes in the hand of L on Pierre-Quint being the record of a conversation, Theodore Fraenkel.