Table of Contents

The grammar of early music - preconditions for analysis; exploring tonal structure in French polyphonic song of the 14th century; internal and external views of the modes; Josquin's gospel motets and chant-based tonality; tonal coherence and the cycle of thirds in Josquin's "Memor esto verbi tui"; concepts of pitch in English music theory, c.1560-1640; concepts of key in 17th-century English keyboard music; from psalmody to tonality; tonal types and modal equivalence in two keyboard cycles by Murschhauser.