Table of Contents

Introduction: post-colonialism and modernism: the case of "Ulysses"; Mimic beginnings: nationalism, ressentiment, and the imagined community in the opening of "Ulysses"; Traffic accidents: the modernist flaneur and post-colonial culture; "And I belong to a race . . .": the spectacle of the native and the politics of partition in "Cyclops"; "The whores will be busy": terrorism, prostitution and the abject woman in "Circe"; Molly alone: questioning community and closure in the Nostos.

About the Author

Enda Duffy is professor of English at the University of California, Santa Barbara.