Contents Introduction: On Asian American Film and Criticism Part I: Resignifying Asian American Bodies When Dragons Die, Do They Become Butterflies? Re-Imagining Anna May Wong Recuperating Suzie Wong: A Fan's Nancy Kwan-dary Part II: Negotiating Institutional Boundaries The Joy Fuck Club: Prolegomenon to an Asian American Porno Practice Negotiating the Meaning of Access: Wayne Wang's Contingent Film Practice Through the Mirror, Sideways Part III: Critical Approaches to Representing Japanese American Internment Re/membering Spectators: Meditations on Japanese American Culture Antidote for Collective Amnesia: Rea Tajiri's Germinal Image The Gendering of Historical Trauma in Internment Camp Documentary: The Case of Steven Okazaki's Days of Waiting Part IV: Exploring Form Fighting Fire with Fire: Detournement, Activism, and Video Art Hybrid Cinema by Asian American Women Character-Zone: A Conversation with Trinh T. Minh-ha Bad Asians: New Film and Video by Queer Asian American Artists Part V: Going Beyond the Nation-Based Model: Diasporas and Hybrid Identities No Mo Po Mo and Other Tales of the Road "Unashamed to be so beautiful": An interview with Celine Salazar Parrenas The Wedding Banquet: Global Chinese Cinema and the Asian American Experience Cultural Identity and Diaspora in Contemporary Hong Kong Cinema
Asian American film makers and film critics discuss their cultural output
Sandra Liu is a Ph.D. candidate in the Department of Ethnic Studies, University of California, Berkeley. Darrell Y. Hamamoto is Associate Professor in the Asian American Studies Program at the University of California, Davis. He is the author of Nervous Laughter: Television Situation Comedy and Liberal Democratic Ideology; Monitored Peril: Asian Americans and the Politics of Television Representation; and New American Destinies: A Reader in Contemporary Asian and Latino Immigration.
"The essays in Countervisions venture beyond representation within the nation to other cinematic spaces--transnational, queer, and "neo-Asian American"--making this an exciting contribution to ethnic studies, film studies, and cultural studies." --Lisa Lowe, University of California, San Diego and author of Immigrant Acts "Countervisions provides cutting-edge film criticism which addresses representations and productions concerning Asian-Americans from both mainstream and alternative sources. Representing a broad spectrum of positions and issues, the reader provides a rich collection of material that demonstrates the growing significance of Asian-American cultural studies and cinematic practices." --Douglas Kellner, UCLA and author of Media Culture "Countervisions is an exhilarating, much-needed examination of the multi-faceted world of Asian American film and video. The writing is lively; the observations acute and well-informed by an historical perspective and a forward-looking contemporary sensibility. Above all, Countervisions lives up to its title by providing multiple interpretations of contemporary Asian American images and representations." --Eddie Wong, Executive Director of NAATA
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