Table of Contents

Without SinAcknowledgements
List of Illustrations

Without Sin

Notes on Sources
Index

About the Author

Spencer Klaw has written for Esquire, Harper's, American Heritage, and The New York Times Magazine, among other magazines and journals. He is the author of The New Brahmins: Scientific Life in America and The Great American Medicine Show. He lives in Connecticut with his wife, Barbara.

Reviews

"First-class American history—sustained, beautifully informed, ironic in just the right places"
—Alfred Kazin"An exceptionally fine work of popular history . . . Klaw tells the story of this remarkable social experiment in readable, engaging prose"
—The Philadelphia Inquirer"Fascinating . . . a sympathetic, detailed, and wonderfully well-told account."
—The Cleveland Plain Dealer"A vivid portrait of a truly American moment and community"
—The Wall Street Journal"We beign to suspect that the real life and identity of America lies in its unique—and at time maddeningly independent—search for God and personal salvation and not in its wars and generals and presidents. Spencer Klaw's brilliant and poetic book illuminates magnificently one uch experiement. . . . An exhilirating and disturbing portrait on the fault-line of the American conscience."
—Ken Burns

"First-class American history sustained, beautifully informed, ironic in just the right places"
Alfred Kazin

"An exceptionally fine work of popular history . . . Klaw tells the story of this remarkable social experiment in readable, engaging prose"
The Philadelphia Inquirer"Fascinating . . . a sympathetic, detailed, and wonderfully well-told account."
The Cleveland Plain Dealer"A vivid portrait of a truly American moment and community"
The Wall Street Journal"We beign to suspect that the real life and identity of America lies in its unique and at time maddeningly independent search for God and personal salvation and not in its wars and generals and presidents. Spencer Klaw's brilliant and poetic book illuminates magnificently one uch experiement. . . . An exhilirating and disturbing portrait on the fault-line of the American conscience."
Ken Burns