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Fire in Beulah
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About the Author

Rilla Askew is the author of Strange Business, a collection of stories, and of the novel The Mercy Seat, nominated for the PEN/Faulkner Award and the Mountains and Plains Booksellers Association Award and winner of the Western Heritage Award and the Oklahoma Book Award. She divides her time between the San Bois Mountains of southeastern Oklahoma and upstate New York.

Reviews

Praise for Fire in Beulah:

“A haunting, engrossing portrait of two families – one white, one black – whose lives are woven together and then shattered . . . Askew’s final hundred pages are a cinematic, apocalyptic denouement, as all the characters are swept up in the terrible racial tidal wave.”
—The Washington Post
 
“Askew’s tinderbox of a novel is suffused with an almost unbearable tension . . . a moving, troubling story . . .  Askew nails as well as any author in recent memory the claustrophobia of racism, the devastation of hate and the way it sucks all the air out of the world.”
—The Boston Globe
 
Compelling, intense and frightening . . . recalls and recreates a devastating if largely forgotten historical event in order to explore the awful consequences of human failure.”
—Chicago Tribune
 
“A devastating story of greed, violence, and destruction . . . Askew’s novel is riveting and remarkably relevant.”
—The Portland Oregonian

In an arresting examination of race and heritage, Askew (The Mercy Seat) mixes historical fact with compelling fiction. From the ominous opening scene to the race-segregated society of 1920s Tulsa, Okla., the reader is carried along on a journey of fragmented memories and introduced to characters with shadowy motives and even darker secrets. Althea Whiteside is 13 when her mother, kicked by a calf during pregnancy, gives birth to Japheth, the only boy in a family of seven girls. His portentous entrance into the world is just the beginning of his influence on Althea's life and the destruction he will leave in his wake. Years later, Althea has left her impoverished family and married dashing oil baron Franklin Dedmeyer. She's content to be his pampered, social wife, taken care of by servantsDincluding Graceful Whiteside, a black woman whom Althea views with alternate fascination and repulsion, as she slowly realizes that the two share more than a surname. A mysterious letter, a double lynching and Japheth's sudden intrusion into Althea's life set in motion events that draw these characters closer to one another and to the great fire and race riot of Tulsa in 1921, a murderous rampage that ran most of the blacks out of town and left hundreds dead. Written from multiple perspectives the narrative is at times difficult to follow, but Askew's bold and disturbing chronicle of greed, racial hatred and intrigue rewards patient attention. Her proseDrich, leisurely, gracefulDengages all the senses and encloses the reader in a bell jar of heat, hate and budding violence. By the novel's end, all the voices coalesce into a vivid account of the riot, during which the various characters' hubris and heroism are exposed. Agent, Jane Gelfman. Author tour. (Jan. 15) Copyright 2000 Cahners Business Information.

Praise for Fire in Beulah:

"A haunting, engrossing portrait of two families - one white, one black - whose lives are woven together and then shattered . . . Askew's final hundred pages are a cinematic, apocalyptic denouement, as all the characters are swept up in the terrible racial tidal wave."
-The Washington Post

"Askew's tinderbox of a novel is suffused with an almost unbearable tension . . . a moving, troubling story . . . Askew nails as well as any author in recent memory the claustrophobia of racism, the devastation of hate and the way it sucks all the air out of the world."
-The Boston Globe

Compelling, intense and frightening . . . recalls and recreates a devastating if largely forgotten historical event in order to explore the awful consequences of human failure."
-Chicago Tribune

"A devastating story of greed, violence, and destruction . . . Askew's novel is riveting and remarkably relevant."
-The Portland Oregonian

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