American Lazarus: An Introduction
Chapter 1: Race, Religion, and Regeneration
Chapter 2: Samson Occom and the Poetics of Native Revival
Chapter 3: John Marrant and the Lazarus Theology of the Early Black
Atlantic
Chapter 4: Prince Hall Freemasonry: Secrecy, Authority, and
Culture
Chapter 5: Black Identity and Yellow Fever in Philadelphia
Conclusion: Lazarus Lives
Appendix 1: Samson Occom's Collection of Divine Hymns and Spiritual
Songs (1774)
Appendix 2: Author-Unknown Hymns Original to Occom's Collection
Appendix 3: Original Hymns by Samson Occom
Notes
Bibliography
Joanna Brooks is Associate Professor of English and Comparative Literature at San Diego State University
"In American Lazarus Joanna Brooks applies a new and highly
effective paradigm to the emergence of African American and Native
American voices in eighteenth-century British America. As she
explores the confluence of evangelical religion and revolutionary
ideology that gave rise to such writes as Samson Occom, John
Marrant, and Prince Hall, Brooks reinvigorates a long tradition of
American Studies scholarship. Well-written and learned,
American
Lazarus should find a wide audience." --Philip F. Gura, University
of North Carolina at Chapel Hill
"IAmerican Lazarus is a stunning resurrection of a buried chapter
of American literary history and the redemption of a host of
misread, ignored, and undervalued African American and Native
American literary artists whose works have long awaited the
interpretive powers and methods of Joanna Brooks. This book
transforms our reading of American religion, race, history, and
literature by reformulating our assumptions about the literary
culture of the early
Republic. Brooks demonstrates how black and Indian authors used the
dominant religion and language to construct the terms and reality
of their own survival, redemption, and regeneration. Brooks's
revealing,
heroic narrative will change how we think about the formation of
the nation." --Emory Elliott, University of California,
Riverside
"Offers...accounts of fascinating moments in American cultural
history that remind us of the involvement of people of color in the
creation of our religious heritage. Brooks succeeds in celebrating
the heroic struggles and bold texts of eighteenth-century African
Americans and Christianized Native Americans as they critiqued the
dominant culuture and sustained their own communities."
--Christianity & Literature
"American Lazarus launches an important and powerful refiguring of
early American literature--a refiguring made possible by
contemporary theories of race and colonization, but one governed
nevertheless by Brooks's insistence on reading African American and
Native American writers of the eighteenth century with rigorous
attention to the religious and political contexts that produced
them." --Eric J. Sundquist, University of California, Los
Angeles
"American Lazarus is a model of imaginative and rigorous
interdisciplinary research." --Early American Literature
"A groundbreaking and illuminating book.... Brooks's originality,
clarity, and scholarship in American Lazarus are noteworthy. The
textual analyses are thorough and meticulous."--The North Star
"Brook's erudite and detailed analysis of the historical context
makes American Lazarus an excellent work for students in the social
sciences and humanities, as well as for anyone interested in
furthering their understanding of the malleability of racial and
ethnic identity."--Journal of African American History
"Brook's erudite and detailed analysis of the historical context
makes American Lazarus an excellent work for students in the social
sciences and humanities, as well as for anyone interested in
furthering their understanding of the malleability of racial and
ethnic identity."--Journal of African American History
"A groundbreaking and illuminating book.... Brooks's originality,
clarity, and scholarship in American Lazarus are noteworthy. The
textual analyses are thorough and meticulous."--The North Star
"American Lazarus is a model of imaginative and rigorous
interdisciplinary research." --Early American Literature
"American Lazarus launches an important and powerful refiguring of
early American literature--a refiguring made possible by
contemporary theories of race and colonization, but one governed
nevertheless by Brooks's insistence on reading African American and
Native American writers of the eighteenth century with rigorous
attention to the religious and political contexts that produced
them." --Eric J. Sundquist, University of California, Los
Angeles
"Offers...accounts of fascinating moments in American cultural
history that remind us of the involvement of people of color in the
creation of our religious heritage. Brooks succeeds in celebrating
the heroic struggles and bold texts of eighteenth-century African
Americans and Christianized Native Americans as they critiqued the
dominant culuture and sustained their own communities."
--Christianity & Literature
"IAmerican Lazarus is a stunning resurrection of a buried chapter
of American literary history and the redemption of a host of
misread, ignored, and undervalued African American and Native
American literary artists whose works have long awaited the
interpretive powers and methods of Joanna Brooks. This book
transforms our reading of American religion, race, history, and
literature by reformulating our assumptions about the literary
culture of the early
Republic. Brooks demonstrates how black and Indian authors used the
dominant religion and language to construct the terms and reality
of their own survival, redemption, and regeneration. Brooks's
revealing,
heroic narrative will change how we think about the formation of
the nation." --Emory Elliott, University of California,
Riverside
"In American Lazarus Joanna Brooks applies a new and highly
effective paradigm to the emergence of African American and Native
American voices in eighteenth-century British America. As she
explores the confluence of evangelical religion and revolutionary
ideology that gave rise to such writes as Samson Occom, John
Marrant, and Prince Hall, Brooks reinvigorates a long tradition of
American Studies scholarship. Well-written and learned,
American
Lazarus should find a wide audience." --Philip F. Gura, University
of North Carolina at Chapel Hill
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