Acknowledgments
Introduction
1 Novelty: "Cornet Chop Suey" (26 February 1926)
2 Telling a Story: "Big Butter and Egg Man" (16 November 1926)
3 Playing the Changes: "Potato Head Blues" (10 May 1927)
4 Top Notes: "S.O.L. Blues"/"Gully Low Blues" (13-14 May 1927)
5 Pretty Things: "Savoy Blues" (13 December 1927)
6 Versatility: "West End Blues" (28 June 1928)
Epilogue
Bibliography
Index
Brian Harker is Professor of Music at Brigham Young University. The author of Jazz: An American Journey, Harker is a two-time winner of the Irving Lowens Award for his articles on Louis Armstrong. He lives in Orem, Utah, with his wife and two children.
"Harker has spent more than a decade immersed in Armstrong's work
and it shows. He has absorbed the music, the period, and commentary
about it to do something for scholarship that he claims Armstrong
did for the music: consolidate what is known and weave it into
something that sounds new and fresh." --Jeffrey Magee, author of
The Uncrowned King of Swing: Fletcher Henderson and Big Band
Jazz
"For anyone who wants to learn more about Louis Armstrong's great
solos from the 1920s, this book is the place to begin. And for
those who already know and are weary of reading the same tired
cliches repeated year after year, this book will be a joy to read,
fresh and stimulating. Harker brings first-rate historical research
to music that truly deserves it." --
Thomas Brothers, Professor of Music, Duke University
"Brian Harker's book will provide Armstrong aficionados with a
deeper appreciation of Armstrong's genius, but also will provide
Armstrong neophytes with an engaging introduction to these jazz
masterworks." --Michael Cogswell, Director, Louis Armstrong House
Museum
"Harker bravely and capably combines musicology (attentive readings
of Louis's playing on six famous sides recorded between 1926 and
1928) and cultural history (how were these performances influenced,
shaped, and perceived)...Since the book costs what a CD would--and
it is more rewarding than many--I commend it to you. Brian Harker
is clearly a Big Butter and Egg Man of music." --Michael Steinman,
Jazz Lives
"Provides a deeper appreciation and understanding of Armstrong's
genius...This book makes a significant contribution to the
Armstrong literature...Essential. All readers." --Choice
"Armstrong's journey through the Hot Fives turns out to be a great
adventure story, a narrative buoyed by Harker's love for his
subject matter...The book's unique blend of biography, scholarship,
oral history and musical analysis allows the author to come at the
recordings from several interesting angles, and altogether Harker
provides an enjoyable and thought-provoking entry into the music."
--AllAboutJazz.com
"The combination of judicious selection of musical examples to
analyze in depth and historical and social insight makes for a
readable, concise volume of fresh insights into one the most
studied figures in jazz." --ARSC Journal
"An artful jambalaya of rigorous musical analysis, thoughtful
cultural contexts, and some provocative informed speculation as to
how Armstrong absorbed, innovated, and consolidated the music we
call jazz." --New Books in Jazz
"Harker's book represents a superb achievement, evidence of his
stature as one of the truly outstanding younger scholars now
working in the area of Armstrong research." --American Music
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