1: Introduction
2: Fears and Dangers
3: Preparing for the Exhibition
4: Religious Organizations
5: On Display: the Building, its Contents, and English
Protestantism
6: Things Seen and Unseen
7: Catholic, Secular, and Jewish Perceptions
8: Paradise Regained
9: The Exhibition: Close and Retrospect
Cantor succeeds in casting fresh light on the Crystal Palace, one
that fills a lacuna of research and takes us a step further in
illuminating the multifaceted religious mechanisms undergirding
Victorian society.
*Christian T. George, Journal of Theological Studies*
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