Introduction: Nation and Interpretation
1: National Imagery before 1600
2: Visual Components of a Nation
3: Celebrating the Nation
4: Evoking the Homeland
5: Rediscovering the Past
6: Commemorating the Fallen
Conclusion: Patterns of National Imagery
Anthony D. Smith is Emeritus Professor of Nationalism and Ethnicity
at the London School of Economics, President of the Association for
the Study of Ethnicity and Nationalism (ASEN), and Chief Editor of
its journal, Nations and Nationalism. He is the originator of an
ethno-symbolic approach to nations and nationalism, and the founder
of the academic study of nationalism in Britain. His publications
include eighteen single-authored books, translated into
twenty-two languages; three edited books; and over one hundred
journal articles and chapters in edited books.
Anthony Smith is a crisp explainer. The nature and purpose of his
project is crystal clear ... He proves a level-headed chaperone for
the minitature grand tour that is The Nation Made Real, equally at
home in history and destiny, community and territory, landscape and
ethnoscape ...
*Alex Danchev, Times Higher Education*
Anthony Smith, the doyen of Anglophone historians of nationalism
(he has published at least twenty books with 'nation' or its
cognates in the title) has brought his formidable learning to bear
on the subject [of nationalist paintings] The Nation Made Real is a
well-written, stimulating and rewarding study that can be warmly
recommended to anyone interested in the history of nationalism in
the period.
*Literary Review*
The Nation Made Real will be useful to students beyond the
humanities and encourage them to take art seriously as a source,
inviting them to delve deeper into the pictorial range and
complications of the subject, and the rewards of primary research.
At the same time, its sociological schema merit the critical
attention of historical scholars too.
*Stephen Daniels, American Historical Review*
a good overview, by one of the leading specialists on
nationalism... it will be a useful introduction for those who are
new to this domain, such as undergraduate students from the field
of art history, visual studies, history and nationalism
studies.
*Eric Storm, English Historical Review*
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