PREFACE
INTRODUCTION
CHAPTER 1 CON ARTISTS AT WORK
A. Three Stories of Ponzi Schemers
1. Charles Ponzi
2. Bernard Madoff
3. Gregory Bell
B. The Basic Design
1. Drawing attention to the offer
a. High Returns At No Risk
b. Stories to Satisfy Investors' Curiosity
c. Con Artists' Stories Are Exceptional and Creative.
C. Gaining Trust and Concealing the Truth
1. Words Can Be Used to Signal Trust
a. Words Can Denote Trustworthiness
b. Signals to raise Trustworthiness
c. It Depends On How You Say False Things. Specific Promises with
Vague Roles
d. The Way a Story Is Told Can Signal Truthfulness
e. Refusing to Provide the Details of a Scheme Need Not Undermine
Trust
2. Familiar Transaction Businesses and Forms Seem to Make
Verification Superfluous
3. Hiding Fraud by Actions. Prompt Payments That Spell
Trustworthiness, Low Risk, and Much More
D. Hiding the Vulnerable Part of the Story: Secrecy and Costly
Verification
1. Concealing the True Nature of the Ponzi Business
2. The Use of Justified Secrecy
3. Stories That Are Costly to Verify
4. Details That Hide the Truth by Drowning It
a. Details Can Hide the Truth
b. Complexity Helps Hide the Truth As Well
E. Con Artists Deceptive Friendship, and Seeming Vulnerability by
Age and Naivety
1. Deceptive Friendship and Love
2. Deceptive Weakness of Age and Seeming Naivety
a. Old Age Can Deceive
b. Naivety Can Deceive
CHAPTER 2: SELLING THE STORIES
A. Advertising
1. The Importance of Advertising
2. Where To Operate And How To Build a Reputation
3. Show Generosity
4. Entertain
5. Draw Attention by Engaging in Attention Drawing Conflicts
B. Recruiting Helpers
1. Cooperation, Competition and Congregation Among Con Artists
2. Birds of a Feather Flock Together
C. How Do Con Artists Approach Their Victims?
1. From Family and Friends to Institutions to Affinity Groups
a. Introduction
b. Affinity Groups: Ethnic and Religious Groups
c. Religious Institutions
d. Hybrid Institutions And Overtones
2. Technology Has a Growing Impact On The Growth Of Ponzi
Schemes
D. The Sales Force
1. Collecting and Distributing Information
2. Paid Sales Force
3. A Pure Sales Structure: Pyramid Schemes
CHAPTER 3 CON ARTISTS' BEHAVIOR SEEMS A "NORMAL USUAL BEHAVIOR"
A. Humans Have a Natural Ability To Pretend, Lie, And Influence
Others
1. Humans And Even Primates Have Innate Abilities To Lie
Convincingly
2. Signs Of Misleading Signals
3. Legitimate Lying
4. Exploiting The Weakness Of The Social System
5. The Slippery Slope: From Honesty To Fraud
6. Ponzi Schemes "Businesses" Mirror Respectability
a. Legitimate Businesses: Banking and Financial institutions
b. Stock Market Trading-Following The Trends
c. Salespersons And Traders
d. Entrepreneurs
e. Con Artists Are Believable: They Believe in Their Activities And
View Them As Businesses
f. Longevity of the Businesses Breeds Respectability
CHAPTER 4 A PROFILE OF THE CON ARTISTS AND THEIR VICTIMS
A. The Dark Side Of Con Artists (And Some of Their Investors)
1. Con Artists Are Different From Most People
2. On Very Rare Occasions A Con Artist Might Resort To Murder
3. On Very Rare Occasions A Group Of Con Artists Can Be Deadly As
Well
4. Con Artists Lack Empathy
a. What Does Empathy Mean?
b. Lacking Empathy Can Bring Repeat Frauds
c. Lacking Empathy Can Render Con Artists More Effective
d. People's Empathy Is Socially Important
5. How Do Con Artists Present Themselves?
a. Protecting the Weak Ego: We Are Special!
6. Con artists' mechanisms of ego protection and justifications
a. Denial
b. Blaming The Government
c. Blaming The Laws
d. Blaming The Victims
e. Blaming Others, But Avoiding A Show Of Weakness
f. Our Actions Are Justified. Others Are Fraudulent, And We Must
Protect Ourselves Against Them By Defrauding First; Besides,
Everyone Does It
g. Our Good Works Testify To The Legitimacy of Our Actions
B. The Profile Of The Victims. What Kind of Persons Are the
Sophisticated Victims? What Makes Some People More Vulnerable to
Ponzi Schemes Than Others?
1. The Dark Side of Some Investors: Lacking Empathy Toward Other
Investors And Shared Greed
2. Investors In Ponzi Schemes, Who Suspect Or Know The Nature Of
The "Investment" Yet Invest.
3. The Element of Greed
4. What Drives the Victims?
a. Gullibility
b. Risk-Tolerance may cover tolerance to the risk of being caught
for illegal activities
c. An optimistic nature and outlook on life affects risk
tolerance
d. Social Status
e. The role of education in risk tolerance is unclear
f. A Reminder of the Stories in Chapter 1: The Ways Con Artists
Make Their Offers
5. The Dark Side of Some Investors and Their Representatives: Lack
of Empathy Towards Other Investors and Shared Greed
a. Investors in Ponzi schemes, who suspect or know the nature of
the "investment" yet invest in it, do not demonstrate empathy with
their fellow investors
b. How do sophisticated victims of Ponzi schemes view
themselves?
6. How Do Some Victims React To the Discovery of Con Artists by the
Government?
a. The victims' attitude towards the government
b. The nature of a Ponzi scheme justifies this view of some
investors
D. The Issue of Addiction. Ponzi Schemes Are Addictive For Con
Artists And For Some of Their Victims. The Slippery Slope to
Addiction and Illegality
1. What Is Addiction?
2. What Causes An Insatiable Craving For More, And A Loss Of
Self-Control?
3. What Are Con Artists and Perhaps Their Victims Usually Addicted
To?
4. Con Artists Are Repeat Offenders
CHAPTER 5. HOW DOES THE PUBLIC VIEW THE CON ARTISTS AND THE
VICTIMS?
A. America Is Ambivalent About Its Con Artists
1. Con Artists That Defrauded Small Investors Are Viewed Somewhat
Differently
2. When Con Artists Mimic The Power Elite, They Are Close To, And
Live Like, The Very Wealthy And Politically Powerful
3. The "Barren and Destructive Creators" The Benefits of Creative
Harm
4. Con Artists Can Be Corrupting Teachers
B. How does the Public View the Victims?
1. With Few Exceptions, People View The Victims Of Con Artists
Differently Than They View The Victims Of Violent Crimes
2. A Related Reason For Condemning The Victims Is That They Did Not
Do Their Homework.
C. Are There Available Protections For Sophisticated Potential
Victims?
1. Red flag: a very high return-low risk.
2. Red flag: The mystery source of the higher returns.
3. Red flag: Continuous offerings of obligations
4. Red flag: Con artists' activities outside the legal
protections
5. Other red flag signals
6. Separating Business, Emotion, And Faith
7. Advice To Investors As Protection Against Affinity Scams Is
Similar
CHAPTER 6. THE LEGAL AFTERMATH
A. Collecting the Assets and Mediating Among the Victims
B. The Issues Error!
C. Who Collects the Remaining Assets?
D. Who, Among the "Helpers" of Con Artists, Must Pay?
1. Who Helps The Con Artists?
2. What About Suspecting Helpers?
E. How To Divide the Remaining Assets?
F. Are All Victims Equal? They Are Not
1. Distinguishing between initial investment and profits
2. Markets and stolen goods: Policy issues
3. What about victims that "smelled a rat" and decided to withdraw
their money after collecting the profits?
EPILOGUE
Tamar Frankel is Professor of Law at Boston University School of Law. She is the author of Trust and Honesty: America's Business Culture at a Crossroad.
"A financial thriller, a masterly page-turning inquiry into
tragi-comic gullibility and greed, of Ponzi victims and
perpetrators alike. The belief in market rationality (another
confidence trick?) and the rocketing returns of finance, induced
clever people to forget that there was no free lunch."--Avner
Offer, Chichele Professor Emeritus of Economic History, University
of Oxford
"Professor Frankel's book is a must read for anyone considering
investment opportunities as well as those who provide investment
advice and those charged with preventing investment fraud.
Professor Frankel provides a captivating exploration of the
characteristics of con artists who perpetrate Ponzi schemes along
with the characteristics of those who fall victim to such schemes.
But more importantly, she highlights how and why such schemes so
successfully
defraud everyone from the novice investor to those considered
financially sophisticated, all while providing a provocative
analysis regarding how best to ensure that we do not become the
next Ponzi scheme
victim."--Lisa M. Fairfax, Leroy Sorenson Merrifield Research
Professor of Law, The George Washington University Law School
"Professor Tamar Frankel's book is a fascinating look at the world
of con artists. How do con artists hide their scams-scams that
often seem so obvious after the fact? Who do they scam? And why
don't investors ever seem to learn? Throughout her investigations
of these questions, she introduces a colorful cast of characters
from today and yesterday. The book is a terrific read whether one
is interested in human psychology or just wants to learn more about
an
irresistible, limited-time-only investment in 'gold-backed railroad
bonds.'"--Allen Ferrell, Greenfield Professor of Securities Law,
Harvard Law School
"Clearly written with extensive documentation (30-plus pages of
endnotes), this timely book with interest those concerned with
behavioral finance and criminal psychology. Recommended"--CHOICE
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