In this Section:
1) Brief Table of Contents
2) Full Table of Contents
BRIEF TABLE OF CONTENTS:
Chapter 1. Introduction: Art Beyond the West
Chapter 2. The Islamic World
Chapter 3. India and Southeast Asia
Chapter 4. China
Chapter 5. Japan and Korea
Chapter 6. The Pacific
Chapter 7. Africa
Chapter 8. The Americas
Chapter 9. Art Without Boundaries
FULL TABLE OF CONTENTS:
Chapter 1. Introduction: Art Beyond the West
Non-Western Art and Aesthetics
Coatlicue in Context
Chapter 2. The Islamic World
Byzantium and The Umayyad Caliphate (661—750 CE)
The Umayyads and Their Successors in Spain (711—1492)
The Abbasid Caliphate (750—1258)
Iran and Central Asia
Anatolia and The Ottoman Turks (1453—1574)
Chapter 3. India and Southeast Asia
The Indus Valley
Buddhist Art
Hindu Art
Jain Art and Architecture
Islamic India
Colonial India
Chapter 4. China
The Neolithic Period (C. 7000-2250 BCE)
The Xia Dynasty (C. 2205-1700 BCE) and the Shang Dynasty (C. 1700-1045-480 BCE)
The Han Dynasty
The Period of Disunity: Six Dynasties (220-589 CE)
The Sui Dynasty (589-618 CE) and the Tang Dynasty
The Five Dynasties (907-60) and the Northern Song (960-1127) and Southern Song Dynasties (1127-1279)
The Yuan Dynasty (1279-1368)
The Ming Dynasty (1368-1644)
The Qing Dynasty (1644-1911)
Modern China (From 1911)
Chapter 5. Japan and Korea
The Jomon Period (C. 12,000/ 10,500—300 BCE) And Yayoi Period (300 BCE—300 CE)
The Kofun Period
Korea: The Three Kingdoms Period (57 BCE —688 CE)
The Asuka Period (552—645 CE) and Hakuho Period (645—710 CE)
The Nara Period (710—94 CE)
The Heian Period (794—1185)
The Kamakura Period (1185—1333) and Koryo Korea (918—1392)
The Muromachi (Ashikaga) Period (1392—1573)
The Momoyama Period (1573—1615)
The Tokugawa (Edo) Period (1615—1868)
The Meiji Restoration (1868—1912)
The Modern Period (From 1912)
Chapter 6. The Pacific
Australia
Melanesia
Micronesia
Polynesia
The Pacific Arts Festival
Chapter 7. Africa
The History of African Art History
African Prehistory
Southern Africa
East Africa
Central Africa
West Africa
Postcolonial Africa and the Quest for Contemporary Identities
African-American Art
Chapter 8. The Americas
South America: The Central Andes
Mesoamerica
Time Chart: Mesoamerica
North America
Native American Art in the Twentieth and Twenty-First Centuries
Chapter 9. Art Without Boundaries
Painting and Sculpture
Architecture
Multimedia Expressions
Dr. Michael Kampen O’Riley (PhD, History of Art, University of Pennsylvania, 1969) is a Professor Emeritus, University of North Carolina.
While working as a columnist for the Charlotte Observer, he shared in a Pulitzer Prize Journalism and Public Service given to the Observer in 1981 for the Observer’s columns devoted to the daily lives of their readers. He has taught at the Philadelphia University of Art; the University of Florida; Yale University; Arizona State University; the University of North Carolina Charlotte; California Polytechnic Institute Pomona; and the University of Stockholm, Sweden.
He has authored seven books, published over 300 articles in news papers and magazines, and given over 10,000 lectures and guided tours through museums and historical sites in the United States, Latin America, and Europe. He is presently living in Asheville, North Carolina and writing text books, self-help books, and novels about Native America and the visual arts.
About his work, the author says, “My work puts special emphasis on the contextual character of the visual arts. The arts have always existed in many active give-and-take or autocatalytic relationships with the world around them. The arts absorb ideas from religion, philosophy, politics, society at large, and every other area of thought; forge their own forms of visual expression, and, in turn, they influence the world around them in ways that only the visual arts can do.”
“An undergraduate text that presents a systematic survey of world cultures in a manner easily grasped by students.” - Marilyn Wyman, San Jose State University “It is a solid text that is appropriate for a wide survey of Non-Western art. Importantly, it is also an affordable option.” - Kimberly Cleveland, Georgia State University “It is well written and accessible to students at the introductory level who come from a variety of academic and cultural backgrounds.” - Lillian Joyce, University of Alabama-Huntsville “In content, organization, tone, and approach, Kampen-O’Reiley’s Art Beyond the West remains the best of the existing publications on the subject: Survey of Non-Western Art-History.” - Olawole Famule, University of Wisconsin-Superior
 |
Ask a Question About this Product More... |
|
