About the Author

Philip Ball worked for over twenty years as an editor for Nature, writes regularly in the scientific and popular media, and has authored many books on the interactions of the sciences, the arts, and the wider culture. His most recent books include Patterns in Nature: Why the Natural World Looks the Way It Does, Invisible: The Dangerous Allure of the Unseen, and Serving the Reich: The Struggle for the Soul of Physics under Hitler, all published by the University of Chicago Press. He lives in London.

Reviews

"The Water Kingdom presents us with an epic portrait of China's water management history and its deep interlacing with culture currents. It's essential reading for any serious understanding of the dynamic relations between humans and nature, not only in China, but in the world at large."--Xiaolu Guo, author of I am China

"A rewarding read. . . . At its most fascinating when describing how in China the laws of nature seem to have embedded in them a moral precept. . . . Ball puts water beautifully back at the heart of China's story."
-- "Economist"

"Ball's journey along the history, politics, and culture of China's waterways encompasses many heroes of Chinese hydrology, men who grappled with elemental forces and imperial censure and sometimes came out on top. . . . Ball argues that China's future, like the past, can be read in the fate of its water."
-- "Guardian"

"In his excellent, smartly written new book, The Water Kingdom, Ball identifies water as 'one of the most constant, significant and illuminating themes' in China's history and culture. . . . Along the way, the book punctures myths and draws illuminating connections."
-- "Financial Times"

"This is a book about water in China in virtually any context imaginable. As Ball, a longtime former editor of Nature says, he draws on 'travellers and explorers, poets and painters, philosophers, bureaucrats and activists, who have themselves struggled to come to terms with what it means to live within a world so shaped and permeated by water.' Historically, water figures in ancient Chinese myths as essential for human life and as a fundamental force of nature that has always ravaged China with the relentless flooding its great rivers cause. Water is a prerequisite for agricultural abundance and urban expansion. It appears as a basic component in Chinese philosophy, one of the basic five elements. Here, Ball considers water, in political, economic, and social aspects, as a factor in environmental pollution, political corruption, and social upheaval (the Three Gorges Dam project is a case in point). The book closes with a consideration of the 'fluid art of expression'--how water relates to Chinese painting, serves as a metaphor in literature, and is used by contemporary artists who perform their works in water. This book will serve diverse readers interested in China from the historical to the most contemporary perspectives. Suitable for all audiences. Recommended."-- "Choice"