Preface
Acknowledgments
Accessing Music Examples Online
A Note on Music Terminology
Guide to Transliteration
Timeline of Central Asian History
Part I: Music and Culture in Central Asia
1. Music in Central Asia: An Overview / Theodore Levin
2. Musical Instruments in Central Asia / Theodore Levin
Part II: The Nomadic World
Prologue: Who Are the Nomads of Central Asia? / Theodore Levin
3. Introduction to Oral Epic / Elmira Köchümkulova
4. The Epic Manas / Elmira Köchümkulova
5. Oral Epic in Kazakhstan: Körughly and a Dynasty of Great Jyraus
/ Uljan Baibosynova
6. Music of the Karakalpaks
Part I: The Epic World of the Karakalpaks: Jyrau and Baqsy /
Frédéric Léotar
Part II: Qyssakhan: Performer of Written and Oral Literature /
Kalmurza Kurbanov and Saida Daukeyeva
7. The Art of the Turkmen Bagshy / Jamilya Gurbanova
8. The Turkmen Dutar / David Fossum
9. Kyrgyz Wisdom Songs: Terme Yrlary / Elmira Köchümkulova
10. Aqyns and Improvised-Poetry Competitions among the Kazakhs and
Kyrgyz / Elmira Köchümkulova and Jangül Qojakhmetova
11. Singing Traditions of the Kazakhs / Alma Kunanbeava
12. Kyrgyz Funeral Laments / Elmira Köchümkulova
13. Kyrgyz Wedding Songs / Elmira Köchümkulova
14. Narrative Instrumental Music: Kazakh Küi and Kyrgyz Küü / Sayra
Raymbergenova and Nurlanbek Nyshanov
Profile: Abdulhait Raiymbergenov / Theodore Levin
Profile: Nurak Abdyrakhmanov / Elmira Köchümkulova
15. Kyrgyz Jaw Harps / Nurlanbek Nyshanov
16. The Kazakh Qobyz: Between Tradition and Modernity / Saida
Daukeyeva
17. Dombyra Performance, Migration, and Memory among Mongolian
Kazakhs / Saida Daukeyeva
Part III: The World of Sedentary-Dwellers
Prologue: Patterns of Culture: Sedentary-Dwellers / Theodore
Levin
18. Maqom Traditions of the Tajiks and Uzbeks / William Sumits and
Theodore Levin
Profile: The Academy of Maqom / Abduvali Abdurashidov
Profile: Turgun Alimatov / Theodore Levin
19. The Uyghur MuqaZ / Rachel Harris
20. New Images of Azerbaijani Mugham in the Twentieth Century /
Aida Huseynova
Profile: Alim and Fargana Qasimov / Theodore Levin
21. Popular Classics: Traditional Singer-Songwriters in Uzbekistan
and Tajikistan / Theodore Levin
22. Religious Music and Chant in the Culture of Sedentary-Dwellers
/ Aleksandr Djumaev
23. Sufism and the Ceremony of Zikr in Ghulja / Mukaddas Mijit
24. Dastan Performance among the Uyghurs / Rahile Dawut and Elise
Anderson
25. Female Musicians in Uzbekistan: Otin-oy, Dutarchi, and Maqomchi
/ Razia Sultanova
26. Music in the City of Bukhara / Theodore Levin and Aleksandr
Djumaev
Profile: Ari Babakhanov / Aleksandr Djumaev
27. Music and Culture in Badakhshan / Theodore Levin
28. The Maddoh Tradition of Badakhshan / Benjamin Koen
Music Example: Maddoh / Theodore Levin
29. Qasoid-khonī in the Wakhan Valley of Badakhshan / Chorshanbe
Goibnazarov
30. Falak: Spiritual Songs of the Mountains Tajiks / Faroghat
Azizi
Part IV: Central Asian Music in the Age of Globalization
31. Revitalizing Musical Traditions: The Aga Khan Music Initiative
/ Theodore Levin
Nurturing Local Talent, Creating Global Connections / Fairouz
Nishanova
The Genesis of Rainbow / Theodore Levin
32. Cultural Renewal in Kyrgyzstan: Neotraditionalism and the New
Era in Kyrgyz Music / Raziya Syrdybaeva
Musical Instrument Glossary
Glossary of Terms
Inventory of Audio and Video Examples
List of Contributors
Index
33. Popular Music in Uzbekistan / Kerstin Klenke
34. Innovation in Tradition: Some Examples from Music and Theater
in Uzbekistan / Aleksandr Djumaev
35. Tradition-Based Popular Music in Contemporary Tajikistan /
Federico Spinetti
Musical Instrument Glossary
Glossary of Terms
Audio and Video Examples
Index
Winner, 2018 RUSA Darmouth Medal for Excellence in Reference
Winner of the 2017 Public Outreach Award, Central Eurasian Studies Society
Theodore Levin is Arthur R. Virgin Professor of Music at Dartmouth College and Senior Project Consultant to the Aga Khan Music Initiative. He is the author of Where Rivers and Mountains Sing: Sound, Music, and Nomadism in Tuva and Beyond (IUP, 2006) and The Hundred Thousand Fools of God: Musical Travels in Central Asia (and Queens, New York) (IUP, 1996).
Saida Daukeyeva is a Georg Forster Research Fellow (HERMES) at Humboldt University in Berlin. She is author of Philosophy of Music by Abu Nasr Muhammad al-Farabi.
Elmira Köchümkulova is Senior Research Fellow at the University of Central Asia in Bishkek. She is author of Respect Graces the Living, Lamentation Graces the Dead: Kyrgyz Funeral Lamentations (in Kyrgyz), and Kyrgyz Herders of Soviet Uzbekistan: Historical and Ethnographic Narratives (in Kyrgyz and English).
This magnificent book has been many years in gestation, but it has
been worth the wait. . . . No prior knowledge is required to enjoy
it. And enjoy is the word. The chapters are short, vivid, and
packed with human interest.
*BBC Music Magazine*
The Music of Central Asia is an incredible accomplishment. It
provides a wealth of perspectives and is remarkably comprehensive
in its coverage of the region.
*Asian Music*
"I foresee a next generation of enthusiastic young scholars
encouraged to pursue research in part due to an initial encounter
with Central Asian music through this volume."
*Notes*
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