Table of Contents

Contents

Foreword

List of Lenders

Acknowledgments

1. Introduction: Rediscovering Painted Prints

Susan Dackerman

2. Painting Prints in Germany and the Netherlands

Susan Dackerman

3. The Technology and Materials of Renaissance and Baroque Hand-Colored Prints

Thomas Primeau

Catalogue

Appendix: Results of Analytical Testing of Hand-Colored Prints

Bibliography

About the Author

Susan Dackerman is Curator of the Department of Prints, Drawings, and Photographs at The Baltimore Museum of Art. Thomas Primeau is Associate Paper Conservator at The Baltimore Museum of Art.

Reviews

"The hand-colored print has remained largely unmapped territory in the history of art.... By tracing this subject, Painted Prints makes an essential contribution to our knowledge of Northern Renaissance art. It is a history of taste and technique studied in context and with the aid of modern scientific analysis.... The experience of these embellished images will enhance and thoroughly reorient our understanding of old master prints and their prior evaluation." - Peter Parshall, Curator of Old Master Prints, National Gallery of Ar