Table of Contents

Contents

Preface

A Note on Sources

Introduction

Part 1. 1888–1906: Origins

1. Eliot’s St. Louis and “The Head of the Family” ;

2. Sons and Lovers: Sex and Satan;

3. A Frail Youth, a Bookish Boy;

4. Early Landscapes, Later Poems

Part 2. 1902–1914: Early Influences

1. Eliot at Fourteen: Atheistical, Despairing, Gloomy;

2. Poetic Beginnings: Merry Friars and Pleading Lovers;

3. Missourian, New Englander: Double Identity;

4. A Soul’s Paralysis: “Denying the Importunity of the Blood”

Part 3. 1906–1911: Harvard: Out from Under

1. Prologue: A Problematic Student;

2. Bohemian Boston at the Turn of the Century;

3. Bohemian Harvard and Isabella Stewart Gardner (“Mrs. Jack”);

4. A Fellow Poet: Conrad Aiken;

5. “A Very Gay Companion”: Harold Peters;

6. Practicing to Be a Poet: From Omar’s Atheism to Laforgue’s Masks;

7. Poems Written 1906–1910

Part 4. 1906–1910: Harvard Influences: Teachers, Texts, Temptations

Teachers: 1. Irving Babbitt: Human Imperfectability;

2. Barrett Wendell: The Inexperience of America;

3. George Santayana: Philosopher of Reason;

4. William Allan Neilson: Poetic Theorist; Texts:

5. Dante and Eliot’s “Persistent Concern with Sex”;

6. Petronius’s Satyricon: A “Serene Unmorality”;

7. Symons/Laforgue: The Ironic Mask;

8. Havelock Ellis, “Sexual Inversion”;

9. John Donne: Thought as Experience; Temptations:

10. The Lure of Europe: Brooks’s The Wine of the Puritans;

11. “T. S. Eliot, the Quintessence of Harvard”

Part 5. 1910–1911: T. S. Eliot in Paris

1. The Primacy of Paris, 1910–1911;

2. Jean Verdenal: “Mon Meilleur Ami”;

3. Matthew Prichard: A Blurred Portrait;

4. Henri Bergson: A Brief Conversion;

5. Charles Maurras: The Action Française;

6. Finding the Personal in the Poem: Drafts of “Portrait” and “Prufrock”;

7. Poems Written 1911–1914

Part 6. 1911–1914: Eliot Absorbed in Philosophical Studies

1. Prologue: The Rise of Harvard’s Philosophy Department and the Santayana Controversy;

2. The Decline and Fall of Harvard Philosophy in Eliot’s Day and After;

3. Eliot and Oriental Philosophies and Religions;

4. Psychology as Philosophical, Religion as Psychological, Mysticism as Magical;

5. Eliot and the Elusive Absolute;

6. Epilogue: The Eliot Controversy,

Part 7. 1914–1915: American Chaos versus English Tradition

1. Philosophy in Marburg, War in Europe;

2. London Interlude: Pound and Russell;

3. Oxford, 1914–1915: Reconsidering Philosophy;

4. New Friends and Old: Culpin, Blanshard, Pound, Lewis;

5. The Mystery of Emily Hale: “The Aspern Papers in Reverse”

Part 8. 1915: An Inexplicable Marriage and the Consequences

1. A Sudden Marriage at the Registry Office;

2. Who Was Vivien?;

3. A Flurry of Correspondence, a Day of Decision;

4. An Unhappy Visit Home (Gloucester, July 24–September 4), a Disastrous Honeymoon (Eastbourne, September 4–10);

5. “Bertie” Russell’s “Friendship”;

6. “What I Want Is MONEY!$!£;!! We are hard up! War!”;

7. Hallucinations, Heavenly and Hellish Poetic Visions: “St. Sebastian” and “St. Narcissus”;

8. Poems Written 1914–1915

Part 9. 1916: Making Do, Finding Means, Expanding Connections

1. “The Most Awful Nightmare of Anxiety”; “Pegasus in Harness”;

2. The Triumph of Poetry over Philosophy;

3. Reviews and Essays, Teaching and Lecturing: Total Immersion;

4. A Widening Circle of Friends and Associates, Writers and Artists

Part 10. 1917–1918: T. S. Eliot: Banker, Lecturer, Editor, Poet, Almost Soldier

1. Eliot the Banker: March 19, 1917–November 1925;

2. Eliot the Extension Lecturer;

3. Eliot as Eeldrop;

4. Eliot the Assistant Editor: June 1917–December 1919, ;

5. Eliot the Poet, ;

6. America Enters War: April 6, 1917–Armistice Day, November 11, 1918;

7. “Writing . . . Again”: The French and Quatrain Poems;

8. Poems Written 1917–1918

Part 11. 1919–1920: Up the Ladder, Glimpsing the Top

1. Death of a Father;

2. Banking, Teaching, Editing, Writing: Money and Power;

3. Friendships and Relationships: Deeper and Wider;

4. A Voice from the Past; “An Encounter of Titans”; Moving Again;

5. Three New Books: Poetry and Prose;

6. “Gerontion”: Return of Fitzgerald’s Omar;

7. Poems Written 1918–1920

Part 12. 1919–1921: Notable Achievements, Domestic Disasters, Intimate Friends

1. Prologue: Paris and the Pension Casaubon, Paris Again in the Spring;

2. “A Long Poem . . . on my Mind for a Long Time”;

3. A Family Visit: Mother, Brother, Sister—Wife;

4. A Room of One’s Own, Wearing Makeup, Confidante Virginia Woolf;

5. Roommates, “Renowned Pederasts”: Kitchin, Senhouse, Ritchie

Part 13. 1922: Over the Top

1. “The Uranian Muse,” The Waste Land, and “il miglior fabbro”;

2. Publication of The Waste Land;

3. “Out into the World”: The Waste Land Reviewed;

4. Pound’s Financial Scheme for Eliot: “Bel Esprit";

5. Birth of The Criterion

Part 14. A Glance Ahead: The Making of an American Poet

1. T. S. Eliot and Walt Whitman;

2. An American Poet Discovers His American-ness

References to Works by T. S. Eliot

References to Works by Other Authors

Index

About the Author

James E. Miller is the Helen A. Regenstein Professor Emeritus of English at the University of Chicago. Penn State Press also published his earlier book, T. S. Eliot's Personal Wasteland (1977). He is also the author of The American Quest for a Supreme Fiction: Whitman's Legacy in the Personal Epic (1979) and, most recently, Leaves of Grass: America's Lyric-Epic of Self and Democracy (1992).

Reviews

“Given the importance of James E. Miller's previous work on Eliot for understanding the erotic energies driving his poetry, T.S. Eliot: The Making of an American Poet is an especially welcome event. This biography represents the culmination of decades of research and will be indispensable reading for Eliot scholars.”—Tim Dean,University at Buffalo (SUNY)

“For a figure as elusive as Eliot, whose runic remains no two readers interpret the same way, this makes for a valuable compendium—a kind of do-it-yourself portrait kit.”—Brian Hall Wilson Quarterly

“Filled with revelations, assumptions, and recommendations for further research, T.S. Eliot: The Making of an American Poet, three parts meticulous research and one part speculation, is both weighty and intuitive. Easy to access, logically organized, scrupulously referenced, and index-friendly, Miller’s book is a satisfying treat for Eliot scholars who enjoy a coffee spoon of gossip with their literary research.”—Kathleen Nicklaus South Atlantic Review