Table of Contents

Acknowledgements General Editors' Preface Introduction; A.Thacker A Beginning: Signification, Story and Discourse in Joyce's The Sisters; T.F.Staley Silences in Dubliners; J-M.Rabaté Through a Cracked Looking-Glass: Desire and Frustration in Dubliners; S.A.Henke Narration Under a Blindfold: Reading Joyce's 'Clay'; M.Norris 'No Cheer for the Gratefully Oppressed': Ideology in Joyce's Dubliners; T.L.Williams 'An Encounter': Boys' Magazines and the Pseudo-Literary; R.B.Kershner Uncanny Returns in 'The Dead'; R.Spoo 'Araby': The Exoticised and Orientalized Other; V.J.Cheng The Dubliners Epiphony: (Mis)Reading the Book of Ourselves; K.J.H.Dettmar 'Have you no homes to go to?': James Joyce and the Politics of Paralysis; L.Gibbons Further Reading Notes on Contributors Index.

Promotional Information

ANDREW THACKER is Senior Research Fellow in the Department of English at De Montfort University, UK.

About the Author

ANDREW THACKER is Senior Research Fellow in the Department of English at De Montfort University, UK.

Reviews

Frank and Malachy McCourt and 13 Irish actors bring Joyce's short stories to life in this well-produced audiobook. None of the readers employ a thick accent in the narrative portions, but for dialogue they let their imitative talents shine and their Irish lilts bloom. Brendan Coyle and Charles Keating, reading "A Little Cloud" and "Grace" respectively, give such wonderful expression to the idiosyncrasies of every individual voice that the listener is never confused even when numerous men are talking. Joyce wrote only sparingly in actual dialect, but most of the readers interpret his intentions freely and successfully. Fionnula Flanagan is perfect reading "A Mother," her voice shifting easily between prim and proper tones and fiery indignation punctuated with little sighs. It helps that Joyce's writing is so masterful that when Flanagan and the two other actresses read the three stories that revolve around women, their words sound utterly natural. Not all the performances are on the same level-Stephen Rea's cold, somber voice is apt for the meditative beginning and ending sections of the collection's most famous story, "The Dead," but too flat for the central description of a lively party. This audiobook creates the atmosphere of a fireside storytelling session that will hold any listener in rapt attention. (May) Copyright 2005 Reed Business Information.

A contender for the finest short story collection ever written, the lyrical beauty of Joyce's writing is enhanced on audio. (c) Copyright 2011. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.