Table of Contents

1. Constructions of Mendelssohn and Britishness 2. Mendelssohn Motifs Mendelssohn’s Music 3. Mendelssohn’s Ossianic Manner 4. On the Visual in Mendelssohn’s Music 5. On Mendelssohn’s Sacred Music, Real and Imaginary 6. On Mendelssohn’s Operatic Destiny: Die Lorelei Reconsidered 7. The Chamber Music of Mendelssohn 8. New Light on Mendelssohn’s Freie Phantasie (1840) 9. Me voilà perruqué: Mendelssohn’s Six Preludes and Fugues Op. 35 Fanny Mendelssohn Hensel 10. Becoming a Composer: Fanny Hensel and Musical Style 11. On Stylistic Affinities between the Music of Fanny Hensel and Felix Mendelssohn Bartholdy 12. Issues of Stylistic Identity in Fanny Hensel’s Das Jahr Compositional Process 13. The Unfinished Mendelssohn 14. An Unfinished Piano Concerto by Mendelssohn 15. An Unfinished Symphony by Mendelssohn

About the Author

R. Larry Todd is Professor of Musicology at Duke University. Hailed as "The dean of Mendelssohn scholars in the United States" by the New York Times, he has lectured and published widely on 19th century Romantic music. He is editor of the series Routledge Musical Genres.