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Mavo: Japanese Artists and the Avant-garde, 1905-1931 (Twentieth-century Japan
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Table of Contents

List of Illustrations Acknowledgments Introduction 1. Western-Style Painting in Japan. Mimesis, Individualism, and Japanese Nationhood 2. A Prehistory of Mavo 3. Anatomy Of A Movement 4. The Aesthetics And Politics Of Rebellion 5. The Mavo Artist And Japan's Culture Industry 6. Theater, Theatricality, And The Politics Of Pleasure Epilogue: Laying Claim To Mavo's Legacy Notes Bibliography Index

About the Author

Gennifer Weisenfeld is Assistant Professor in the Department of Art and Art History at Duke University.

Reviews

"A strong bid to bring the Western spotlight onto modern Far-Eastern art. An intriguing survey of a little known movement."--"Art Newspaper

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