Introduction; Part I. Contexts: I. A historical overview 'from below'; 2. The entertainment or enlightenment debate; 3. The inostranshchina in Soviet cinema; Part II. Practice: 4. Genres and hits; 5. Images and stars; 6. Iakov Protazanov, the 'Russian Griffith'; Part III. Alternatives: 7. Boris Barnet, Soviet actor/Soviet director; 8. Fridrikh Ermler and the social problem film; 9. For workers and peasants only - factory and tractor films; Conclusion.
A pathbreaking study of Soviet cinema in the 1920s.
' ... we hear the knowledgeable, intelligent and confident voice of an expert. It is a wonderful book.' Soviet Studies 'Youngblood is an extremely knowledgeable guide. It seems that she has perused all contemporary film journals and read almost every film review. She wastes no time on over-clever analysis of individual frames; there is no semiotics, deconstruction or any other modern over-valued analytical tool here. Instead we hear the knowledgeable, intelligent and confident voice of an expert. It is a wonderful book.' Peter Kenez, Europe-Asia Studies '[Movies for the masses] is often provocative and stimulating. It is also well written, very readable and has a style that engages both the reader's attention and the intellect ... It provides a wealth of statistical information ... and will appeal to a broad spectrum of readers from politics, film and cultural studies ... [It] is a 'good read' and you leave it knowing more about the period, as well as having your own arguments 'honed' by the new evidence and opinions provided.' Roger Powell, Drama
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