Table of Contents

List of illustrations and list of maps; General editors' preface; Notes on the edition; Acknowledgements; Chronology; List of abbreviations; List of archival sources for manuscript, typescript and proof material relating to Jacob's Room; List of editorial symbols; Introduction; Chronology of the composition of Jacob's Room; Maps; Jacob's Room; Explanatory notes; Textual apparatus; Textual notes; Appendix I; Appendix II; Bibliography.

Promotional Information

This edition includes a detailed account of the novel's composition, publication and early critical reception, together with chronologies of composition and of Woolf's life.

About the Author

Stuart N. Clarke has transcribed and edited Virginia Woolf's Orlando: The Original Holograph Draft (1993), was co-compiler with B. J. Kirkpatrick of the 4th edition of A Bibliography of Virginia Woolf (1997), and edited Translations from the Russian (2006), by Virginia Woolf and S. S. Koteliansky, and Volumes 5 and 6 of the complete Essays of Virginia Woolf (2009 and 2011). With David Bradshaw, he edited A Room of One's Own (Wiley Blackwell, 2015). He is a founding member of the Virginia Woolf Society of Great Britain and has edited its journal, the Virginia Woolf Bulletin, since its inception in 1999. David Bradshaw (1955-2016) was Professor of English Literature at Oxford University and a Fellow of Worcester College. He was editor of Virginia Woolf's Mrs Dalloway, To the Lighthouse, Selected Essays and The Waves for the Oxford World's Classics Series, and of The Years (with Ian Blyth) and A Room of One's Own (with Stuart N. Clarke) for the Shakespeare Head Press. David also edited and contributed to The Cambridge Companion to E.M. Forster, A Companion to Modernist Literature and Culture, and Prudes on the Prowl: Fiction and Obscenity in England, 1850 to the Present Day. He edited Aldous Huxley's Brave New World for Vintage Classics and was a founder of the Evelyn Waugh project to publish the first Complete Works of Waugh's writing.

Reviews

"I wanted them all, even those I'd already read."
--Ron Rosenbaum, "The New York Observer"
"Small wonders."
--"Time Out London"
"""[F]irst-rate...astutely selected and attractively packaged...indisputably great works."
--Adam Begley, "The New York Observer"
"I've always been haunted by Bartleby, the proto-slacker. But it's the handsomely minimalist cover of the Melville House edition that gets me here, one of many in the small publisher's fine 'Art of the Novella' series."
--"The New Yorker"
"The Art of the Novella series is sort of an anti-Kindle. What these singular, distinctive titles celebrate is book-ness. They're slim enough to be portable but showy enough to be conspicuously consumed--tiny little objects that demand to be loved for the commodities they are."
--KQED (NPR San Francisco)
"Some like it short, and if you're one of them, Melville House, an independent publisher based in Brooklyn, has a line of books for you... eleg