Illustrations ix Preface xiii Acknowledgments xvii Introduction: Playing the Race Card 3 Chapter One: The American Melodramatic Mode 10 Chapter Two: "A Wonderful, 'Leaping 'Fish": Varieties of Uncle Tom 45 Chapter Three: Anti-Tom and The Birth of a Nation 96 Chapter Four: Posing as Black, Passing as White: The Melos of Black and White Melodrama in the Jazz Age 136 Chapter Five: Rewriting the Plantation Legend: Scarlett "Totes a Weary Load" 187 Chapter Six: Home Sweet Africa: Alex Haley's and TV's Roots 220 Chapter Seven: Trials of Black and White: California v. Powell and The People v. Orenthal James Simpson 252 Conclusion: Our Melodramatic Racial Fix 296 Notes 311 Bibliography 369 Index 385
Playing the Race Card possesses all the boldness, high intelligence, and far-reaching revisionism one has come to expect from the author of the brilliant Hard Core and other path-breaking work in film studies. Linda Williams here insists on the general importance of the melodramatic mode to our understanding of the United States' ongoing racial predicament. Her arguments are extremely compelling, not least because she executes them with such thoroughgoing smartness and prodigious learning. -- Eric Lott, University of Virginia Linda Williams's book is a beautifully written, meticulously researched, and conceptually lucid engagement with the genres of painful feeling that organize racial fantasy in the United States. It joins the works of Michael Rogin, Eric Lott, and Ann Douglas as a major statement about the founding conventions of representation and cross-racial encounter in the U.S. twentieth century. -- Lauren Berlant, University of Chicago A tour de force of cultural analysis. The subject of Playing the Race Card is at once urgent and entertaining. Linda Williams's book is poised to do for film studies what Toni Morrison and others have so famously done for American literature: to reveal the ghost in the machine, the role of 'race' in the making of American popular culture. -- Susan Gillman, University of California, Santa Cruz A strikingly accessible book that makes a timely appearance, now that discussions about race and representation have developed a heightened immediacy. Elegantly written and meticulously researched, this book combines scholarly rigor with clarity and insight. -- Valerie Smith, University of California, Los Angeles
Linda Williams is Professor of Film Studies and Rhetoric at the University of California, Berkeley, where she directs the Film Studies Program. She is the author of Hard Core: Power, Pleasure, and the Frenzy of the Visible and Figures of Desire: A Theory and Analysis of Surrealist Film. Her edited volumes include Viewing Positions: Ways of Seeing Film and, with Christine Gledhill, Re-inventing Film Studies.
Williams makes the best theoretical case for descriptive representation for marginalized groups to achieve democratic equality. Her review of democratic theory is both exhaustive and masterful. -- Katherine Tate Annals of the American Academy of Political and Social Sciences It seems like a long leap to make 'from Lillian Gish to ... Leonardo Dicaprio and from Uncle Tom to Rodney King,' but in this dazzling, benchmark work ... Williams does it with panache and enormous insight... This is a vital contribution to American studies as well as film and race studies. Publishers Weekly But the real elegance is in her thinking... [Williams's writing impresses] wherever melodrama lands, it brings the same set of concerns, an Playing the Race Card is at it protean best when it is tracing these from medium to medium. -- Lisa Kennedy Village Voice For any honest discussion about race relations in America, [Williams] argues, we must first acknowledge the indeterminate influence of melodrama. Conscientiously researched ... this insightful book is essential for academic libraries and students in film studies. Library Journal In her intellectually rousing book, Playing the Race Card, Williams find the root of [melodramatic] characterizations throughout American popular culture... Such images, she argues, continue to feed attitudes of racial empathy and enmity... With its thought-provoking analysis and textbook scholarship, Playing the Race Card is a ... passionately crafted book. But Williams greatest contribution may be liberating a discussion of race from the incendiary rhetoric and polemics that accompany such a discourse. She creates a new dialogue about how popular entertainment has fostered racial sympathy as well as mistrust, and how those images still shape us today. -- Renee Graham The Boston Globe [Williams] dispenses with the cant and silliness that tangles much academic talk about racial matters... Steeped in the details of text and context, she invites the reader to see familiar works in fresh ways. Williams's achievement is to recapture the complexity of our tangled racial history without sanitizing racism. -- Jonathan Rieder New York Times Book Review Williams offers a fresh and insightful exploration of some of the roots of the American racial dilemma... Well written and persuasively argued. Choice A work that is extremely valuable to historians who wish to enhance the sophistication of their own thinking about teaching with film and other visual media... I believe the author succeeds at what she sets out to do. In such a large, sweeping, and ambitious book as this, that is high praise indeed. -- Alecia P. Long H-Net Reviews This book would be valuable just for its scholarly insights, sharp contextual readings, well-selected illustrations, and imaginative genealogy of melodramatic practices across various eras. What gives it special urgency is that by locating those moments when new media (print, film, TV, video) were shaping new ways of conceiving race, Williams creates a moving picture of racial melodrama in the United States that manages to connect the polemic of Uncle Tom's Cabin to the ... televised O. J. Simpson murder trial -- Kurt Eisen American Literature Broad and brilliant, a combination rare in serious books these days, Playing the Race Card argues persuasively that melodrama has profoundly affected American attitudes toward race over the last century and a half... Williams's success is to spell out exactly how the melodramatic imagination of our popular culture shapes how we live and understand race in America and how these stories make as well as narrative history. -- Grace Elizabeth Hale The Historian
 |
Ask a Question About this Product More... |
|
