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On the Art of the No Drama
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Zeami's treatises on the art of No rank among the finest of all writings on the theatre. Though speciticatly devoted to the drarna of a particular place and time--Japan in the early fifteenth century--they contribute to an understanding of the dramatic arts of the world. The texts make absorbing reading, but they are difficult in the original, even for specialists. We arc fortunate that two authorities on the Japanese theatre, a Japanese and an American, have combined forces to translate and present Zeami's most significant works -- Donald Keene, Columbia University

About the Author

J. Thomas Rimer, Professor Emeritus of Japanese Literature, Theatre, and Art at the University of Pittsburgh, has written widely on Japanese culture. Yamazaki Masakazu, Professor Emeritus at Osaka University, is an award-winning playwright whose collected works have been translated into several languages.

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"Zeami's treatises on the art of No rank among the finest of all writings on the theatre. Though speciticatly devoted to the drarna of a particular place and time—Japan in the early fifteenth century—they contribute to an understanding of the dramatic arts of the world. The texts make absorbing reading, but they are difficult in the original, even for specialists. We arc fortunate that two authorities on the Japanese theatre, a Japanese and an American, have combined forces to translate and present Zeami's most significant works"—Donald Keene, Columbia University

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