Table of Contents

1.Cubism, the Avant Garde and the liberal republic
2. Languages of classicism
3. Changing perspectives: Modernolatory ad Siultaneity
4. ‘High’ and ‘low’
5. The Cubist movement: from consolidation to dissolution
6. Building high mdodernism: The ‘analytic/synthetic’ paradigm
7. Other criteria
8. Other stories: Cubism and ‘New Art History’

About the Author

David Cottington is Professor of Art History at Falmouth College of Arts