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Exile Cinema
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Table of Contents

Acknowledgments Introduction Michael Atkinson Part I. Rockets from East Asia 1. Double Trouble: Tsui Hark & Ching Siu-tung Howard Hampton 2. Bullet Ballet: Seijun Suzuki Jonathan Rosenbaum 3. Kuala L'Impure: The Cinema of Amir Muhammad Dennis Lim 4. A Kurosawa Kiyoshi Kit B. Kite 5. The Bong Show: Bong Joon-ho Ed Park Part II. On the European Outskirts 6. Beyond the Clouds: The Films of Nuri Bilge Ceylan Geoff Andrew 7. Pawel Pawlikowski: Dreaming All My Life Jessica Winter 8. Bela Tarr Jonathan Romney 9. Blunt Force Trauma: Andrzej Zulawski Michael Atkinson 10. Sharunas Bartas Laura Sinagra Part III. Documentarians and Mad Scientists 11. Ken Jacobs David Sterritt 12. A Few Moments of Arousal in a Film by Martin Arnold George Toles 13. Ross McElwee Godfrey Cheshire 14. Judith Helfand: Secret Stories, Video Diaries, and Toxic Comedy Patricia Aufderheide Part IV. Lost between Genre and Myth-Making 15. The Beardo: Jose Mojica Marins Guy Maddin 16. Dellamorte Dellamore and Michele Soavi Maitland McDonagh 17. Guy Maddin Mark Peranson 18. James Fotopoulos Ed Halter 19. Christopher Munch: For Those We Have Loved Graham Fuller Part V. Defiant Lions of the New Wave Generation 20. Pleasures of the Flesh: Walerian Borowczyk David Thompson 21. Chris Marker: The Return to Work at the Wonder Factory Joshua Clover 22. Moebius Dragstrip: Monte Hellman Circles Back Chuck Stephens 23. The Not-Too-Long Discourses of Chantal Akerman Stuart Klawans List of Contributors Index

About the Author

Michael Atkinson is Professor of Film at the C. W. Post campus of Long Island University and former staff film critic for the Village Voice. His previous books include Flickipedia; Ghosts in the Machine: The Dark Heart of Pop Cinema; Blue Velvet; and a collection of poetry, One Hundred Children Waiting for a Train.

Reviews

"This superb collection represents a 'who's who' of contemporary film criticism that brings the reader into closer contact with some of the most important filmmakers working today. Elegant and erudite, this is a key volume for twenty-first-century film studies, a volume to read again and again with pleasure and wonder." - Wheeler Winston Dixon

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